Posts Tagged: Karl Ove Knausgaard

Notable NYC: 9/22–9/28

By

Literary events in and around NYC this week!

...more

Notable San Francisco: 9/19–9/25

By

Literary events in and around the Bay Area this week!

...more

Notable Los Angeles: 9/17–9/23

By

Literary events in and around L.A. this week!

...more

VISIBLE: Women Writers of Color: Faith Adiele

By

Faith Adiele discusses what it means to be a good literary citizen, the importance of decolonizing travel writing, and how she wants to change the way Black stories are being told.

...more

The Daily Struggle

By

Lord knows the world has changed since I wrote this talk, but when the world falls to pieces around us, especially when the world falls to pieces, writers will still sit down to write. As Beckett tells us, even when we have “no power to express” and “no desire to express,” we still have “the obligation […]

...more

The Appeal of Ferrante and Knausgaard

By

On Lit Hub, Stephanie Grant examines the deep pleasure and connection readers experience with the works of Elena Ferrante and Karl Ove Knausgaard. She suspects the familiar tone of both authors’ recent series might help otherwise fiction-averse readers dive into the narrative: To put it another way, the intimacy of first-person narration in these novels […]

...more

Probing into the Space Between

By

At the New York Times, Karl Ove Knausgaard describes how Joyce’s Portrait included him in literature’s potential in a way that Ulysses didn’t:  In “Portrait,” Joyce ventures inside that part of our identity for which no language yet exists, probing into the space between what belongs to the individual alone and what is ours together, exploring […]

...more

I Wanted to Be Seen

By

Check out highlights from a conversation between Sheila Heti and Karl Ove Knausgaard at the Chicago Review of Books that range from the question of whether real literature must “burn” to be written, to why there’s no therapy in My Struggle. Heti pursues cultural differences, and Knausgaard speaks about the Nordic code of collective solidarity […]

...more

All About the Essay

By

John D’Agata, visionary champion of the essay and master anthologizer, sees the lyric form “partake of the poem in its density and shapeliness, it’s distillation of ideas and musicality of language.” He also sees it as unbound to conventional notions of truth. Writing for Harper’s, Elaine Blair critiques the genre-bending, exploratory practices of writers like David Shields, […]

...more

Where Are All The “Good” Guys?

By

For Electric Literature, Liesl Schillinger reflects on his struggles to find examples of “good” men in contemporary fiction, and shares his joy in finding one in Lauren Groff‘s Fates and Furies. Further, he argues that despite the self-deprecating narrator in Karl Ove Knausgaard’s My Struggle, the six-volume epic captures an “everyman” whose goodwill helps him to succeed: There is room […]

...more

Greatest Hits of the Heart

By

Patience. Curiosity. Repetition. Looking again and again. Not imposing a story line. Letting composition emerge through pattern, rhythm, shape, sound, movement. Occasionally … you hit upon a moment of grace. You can’t plan for it. You just have to practice enough so that you’re ready when it comes. The Atlantic has compiled a list of […]

...more

The Rumpus Interview with Joanna Walsh

By

Joanna Walsh discusses her story collection, Vertigo, consciousness, artifice, and simultaneity.

...more

Imagine That

By

Like every other year, in 2015 we wrestled with the knowledge of our constructed selves. But rather than eschew personhood as a postmodernist might, we considered just who we’ve been inventing: What do you write about when you no longer put stock in the idea—the narrative—that nature exists objectively and independently of our stories about […]

...more

Live-Tweeting Grief

By

“The challenge of memorializing doesn’t favor professionals,” writes Sean Minogue over at Full Stop. So, how are autobiographical narratives of loss by Karl Ove Knausgaard, Joan Didion, or Paul Auster different from therapeutic journaling? Minogue takes a look at how these authors express the everyday details of living after a loss, and how new forms […]

...more

Which Norwegian Author Is Your Favorite Beatle?

By

I think of the four elder statesmen of Norwegian letters as a bit like the Beatles: Per Petterson is the solid, always dependable Ringo; Dag Solstad is John, the experimentalist, the ideas man; Karl Ove Knausgaard is Paul, the cute one; and Fosse is George, the quiet one, mystical, spiritual, probably the best craftsman of […]

...more

Here and Afar

By

Over at WBUR, Radio Open Source calls their program “an American conversation with a global attitude.” The podcast touches on everything from first-reads with James Wood, to Knausgaard on literary mechanics, to Pakistan’s regrettable American marriage in wake of Osama Bin Laden—and for all their worldliness, they’re located right at home. With Christopher Lydon as […]

...more

The Era of the Very Long Novel

By

At Vulture, Boris Kachka looks into the recent trend of publishing “mega-books,” with the hopes of answering a seemingly straightforward question: “When did book get so freaking enormous?” In his analysis, Kachka touches upon works by Knausgaard, Tartt, and Catton, all authors of recent works of significant length that have received a great deal of literary acclaim.

...more

The Scatology of Karl Ove Knausgaard

By

Finally, the Paris Review answers the question we’ve all been wondering about Karl Ove Knausgaard and his mega-novel My Struggle: what’s with all the shitting? That gratuitous attention to detail may explain why these scenes jump out at readers, but it doesn’t explain Knausgaard’s minor obsession with shit. To be sure, the inclusion of these […]

...more

The Joy of Knausgaard

By

For Flavorwire, Jonathon Sturgeon works to define “contemporary” literature and wonders where Karl Knausgaard’s My Struggle fits into the mix. What he ultimately argues is that contemporary literature is often “project based,” and that Knausgaard’s self-exploratory novel is the most definitive example of this kind of work in recent times: Not only does the title My Struggle claim for Knausgaard the […]

...more

The Rumpus in your inbox!

* indicates required