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Posts by tag

kink

33 posts
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From the Archive: Unbound

  • Lauren Kayes
  • January 18, 2022
It’s always been ground glass, scraping against my insides. I imagine a light held to the place where I open would illuminate a mess of torn flesh, throbbing red-wet.
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  • Rumpus Original
  • Sex

If My Body Were a House

  • Emrys Donaldson
  • February 8, 2021
Where my masculinity dwells, I am in control.
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  • Rumpus Original
  • Sex

The Psychiatrist and the Butch

  • Shoshana Raphael
  • February 1, 2021
My dad, a psychiatrist, wants to write a sex book.
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The Authentic Self: I Live in the Country & other dirty poems by Arielle Greenberg

  • Joseph Goosey
  • September 18, 2020
Every poem in I Live in the Country sells what it’s craving.
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  • Features & Reviews
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Lingering on Darkness: Sleepovers by Ashleigh Bryant Phillips

  • Alison Van Houten
  • July 15, 2020
When Ashleigh Bryant Phillips lets loose, she can shock.
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Marital Piss

  • Cory Albertson
  • June 25, 2020
My body tightened as the knee-jerk worry of being seen and outed flooded back.
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On Love and Dogs: Cleanness by Garth Greenwell

  • Carley Moore
  • February 12, 2020
Greenwell tells his story on the narrator’s terms, and that makes all the difference.
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The Mania of Queer Desire: In Praise of Fever Ray’s Plunge

  • Logan February
  • August 29, 2019
I remember driving a bird mad once.
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The Rumpus Mini-Interview Project #169: Saskia Vogel

  • Brian Gresko
  • March 28, 2019
“Understanding that you can have what you desire can be healing and transformative.”
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Sharp and Twisty and Complicated: Talking with Melanie Abrams

  • Eric Longfellow
  • August 17, 2018
Melanie Abrams discusses her debut novel, PLAYING, and a forthcoming novel, MEADOWLARK.
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  • (K)ink: Writing While Deviant
  • Rumpus Original
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(K)ink: Writing While Deviant: D. Gilson

  • D. Gilson
  • July 9, 2018
Place is context in part, but it is not context in summation.
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  • (K)ink: Writing While Deviant
  • Rumpus Original
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(K)ink: Writing While Deviant: Emily Smith

  • Emily Smith
  • May 16, 2018
A writer must push her pleasure into risk, expose herself publicly to strangers with no knowledge of how she might be received, and become something that must be seen.
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