Posts Tagged: Kristina Marie Darling

Notable NYC: 2/8–2/14

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Literary events in and around NYC this week!

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The Voice Is a Social Construct: Talking with Kristina Marie Darling

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Poet Kristina Marie Darling discusses the literary life, collaborative writing, and the power of experimental forms.

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Notable Los Angeles: 11/6–11/12

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Literary events and readings in and around L.A. this week!

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Notable Los Angeles: 8/21–8/27

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Literary events and readings in and around L.A. this week!

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Weekend Rumpus Roundup

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First, Michael Wasson’s imagistic prose poetry fills the Saturday Essay. Wasson’s dreamlike narrative describes a first day of school from his childhood. Wasson recalls the teacher taking attendance, calling out, “who’s missing?” The question launches a lyrical investigation of the author’s memory and identity. Then, Julie Marie Wade reviews the poetry collection Ghost/Landscape, a successful collaboration between Kristina Marie Darling and John […]

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Weekend Rumpus Roundup

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Kristina Marie Darling’s poetry collection, Fortress, is “image-rich” and wonderfully allusive. The setting is the famously decadent palace of Versailles. Like the film Marie Antoinette, “Darling’s book is simultaneously excess and desolation,” writes Sandra Marchetti. White spaces are used strategically in this “lush” book of poems. Next, the “detached narrator” of Amado Muro’s Collected Stories focuses […]

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Reluctant Mistress by Anne Champion

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Anne Champion’s dazzling first book of poetry, Reluctant Mistress, offers readers a thought-provoking revision of the love lyric, rendering this rich literary tradition relevant to a postmodern cultural landscape. While invoking couplets, tercets, and other vestiges of her artistic heritage, Champion’s poems interrogate the power relations implicit in traditional love poetry, redefining their terms with […]

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“Melancholia (An Essay)” by Kristina Marie Darling

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Kristina Marie Darling’s wonderful new book of poems, Melancholia (An Essay)—her fourth—is more than a collection of abandoned footnotes and glossaries (poetic constructs she has been mastering since Night Songs), it is a history composed entirely of an ex-lover’s curios—a kind of “museum [that] specialize[s] in artifacts of / nineteenth century courtship rituals” (“Footnotes to […]

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