There’s a chance you’ll hear Peter Ho Davies read the first sentence of his story “Chance” and you’ll be hooked. There’s also a chance you won’t, but either way, it’s…
The Los Angeles Review of Books enlisted Kayla Williams, a veteran sergeant and Arabic linguist, to compile a list of war narratives by women for Memorial Day. Williams, herself an…
We know Bishop primarily as the eager traveler who wrote of distant, tropical locations and lived for many years as an expat in Brazil. She was that, of course, but…
Susan Bernofsky, in the introduction to her new translation of Kafka’s The Metamorphosis, compares Gregor Samsa to famed American literary character Willy Loman. Over at the LA Review of Books, David…
Alexandra Socarides gives a clear warning at the beginning of this article that she doesn’t want to ruin anyone’s Christmas, but you should probably read the original poem one last…
Brazil has a nearly two-hundred-year-old poetic history, during which various poets have fought to define Brazilian identity, criticize the injustices of capitalism, and catalog “the joys and miseries of being…
Why is it that despite country music’s overall conservatism and exaltation of rural, small-town culture, female country artists routinely write songs that would make a simple country farmer’s eyes bug…
Did you know Ed Hardy is not just a brand name, but an actual person? And that after becoming “the first Westerner to work with a traditional Japanese master” of…
Tom Lutz’s recent essay for the LA Review of Books discusses the missing generation of journalists, the layoffs that have forced out some of the greatest book reviewers from their…
Tom Lutz at the Los Angeles Review of Books discusses Elizabeth Gumport’s essay in n+1 called “Against Reviews.” Lutz writes “Taste cultures do have something to do with circles of…
Creative programs are increasingly common and so are their criticisms. The difficulty with pinpointing creativity to an academic institution or justifying a trend where tuition money and literary prowess are…