The Rumpus Mini-Interview Project #217: Sue William Silverman
“Our memories are always in flux.”
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...moreRoy G. Guzmán discusses their debut collection, CATRACHOS.
...moreDickens and the Brontës did it; so can you!
...moreBodega is one of the most experimental and ambitious projects that I have encountered.
...moreNatalie Diaz discusses her new collection, POSTCOLONIAL LOVE POEM.
...moreE. J. Koh discusses her debut memoir, THE MAGICAL LANGUAGE OF OTHERS.
...moreI see the birds. I feel my body, splitting from its spirit, lying in the grass.
...moreTatiana Figueroa Ramirez discusses her debut poetry collection, COCONUT CURLS Y CAFÉ CON LECHE.
...moreJosh Lambert discusses the anthology HOW YIDDISH CHANGED AMERICA AND HOW AMERICA CHANGED YIDDISH.
...moreAuthor María Sonia Cristoff and translator Katherine Silver discuss INCLUDE ME OUT.
...moreIt is winter, and I’ve been thinking a lot about Samuel Beckett.
...moreThere is an irony that sometimes rings Mona like a bell.
...moreHeather Christle discusses her debut work of nonfiction, THE CRYING BOOK.
...moreFor Little Dog, putting language to memory becomes a way to survive.
...more“Time is really weird and fascinating.”
...moreAlways, when my father spoke to me in words I could not understand, my guilt spoke back.
...moreBirute Putrius discusses her second novel, THE LAST BOOK SMUGGLER.
...moreNatalie Scenters-Zapico discusses her new collection, LIMA :: LIMÓN.
...moreMah taught me that love wasn’t only rebellious, it was also tenacious.
...moreSpeaking other languages can save your life. It can give you a new life.
...moreFor Hryniewicz-Yarbrough, language provides a stronger connection with the past than nationality alone.
...moreIt’s subtle, the violence of language.
...moreAuthor Mariana Dimópulos and translator Alice Whitmore discuss ALL MY GOODBYES.
...more“At the limit of language we meet our mortality.”
...moreTsitsi Dangarembga discusses her new novel, THIS MOURNABLE BODY.
...moreThe narration isn’t dispassionate, but there’s a distance.
...moreJustin Phillip Reed on his debut collection, Indecency, why he loves struggling with connotation, and the irresponsibility of American society.
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