Lucy Ives writes about Rivka Galchen’s Little Labors for the Los Angeles Review of Books: It’s a study of a baby and of babies, of culture and of vulnerability. Most…
For the Los Angeles Review of Books, essayist Patrick Madden discusses why he was drawn to the medium and how he finds his wide-ranging subjects: In terms of art — whether sounded…
The goal is to deliver something from another language into your own language so people will read it and like it. I think sometimes it’s forgotten that you have to…
Hungry intellectuals are flocking to the Los Angeles Review of Books. Here is the humble story of how LARB came into being in April of 2011. Reader Matthew Weiner (of Mad Men fame) says:…
It’s hard to imagine a book written entirely in emoji that isn’t just about the conceit of writing an entire book in emoji, perhaps marketed as an Urban Outfitters coffee…
Ena Brdjanovic describes the commanding, performative, discomfiting, and off-kilter folk tale qualities of Diane Williams’s recent story collection: In sum, the 40 short stories of Fine, Fine, Fine, Fine, Fine…
Her poems’ shifts from the tactile and concrete to the amorphous and the abstract is simultaneously thrilling and bewildering… In the Los Angeles Review of Books, Noemi Press poetry editor…
Ten years after his death in 2005, Arthur Miller’s centenary proved a bumper year for productions of his work, and not all of it the old familiars. The Los Angeles…
Race is an important and central issue in the United States, but what about abroad? It appears that both the United States and the United Kingdom are witnessing one of…
Mary Jo Tewes Cramb discusses the perpetuation of the “manic pixie dream girl” stereotype in John Green’s novels: In Green’s novels, there is considerable tension between the potent appeal of his…
Anne Boyd Rioux reviews a new biography on the wife of Lord Byron, Anne Isabella Milbanke. In her review, Rioux evaluates the still-too-high standard set for women’s biographies, particularly when…