David Biespiel’s Poetry Wire: 21 Poems That Shaped America (Pt. 14): “Some Grass Along a Ditch Bank”
...being on the edge of the natural world is like being on the edge of time.
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Larry Levis
9 posts
VISIBLE: Women Writers of Color: Tara Betts
Tara Betts discusses her newest collection, Break the Habit, the burden placed on black women artists to be both artist and activist, and why writing is rooted in identity.
The Rumpus Poetry Book Club Chat with Chris Santiago
Chris Santigo on his new collection Tula, writing a multilingual text, and the connections between music and writing poetry.
Weekend Rumpus Roundup
To kick things off, Brandon Hicks offers us the hilarious illustrated life story of a “Born Failure.” Then, National Poetry Month continues at The Rumpus. First, Amanda Deutch’s “Island Factory” uses…
The Darkening Trapeze by Larry Levis
Allison Donohue reviews Larry Levis's The Darkening Trapeze today in Rumpus Poetry.
The Rumpus Poetry Book Club Chat with Phillip B. Williams
The Rumpus Poetry Book Club chats with Phillip B. Williams about his new book Thief in the Interior, form in poetry, and balancing editing work with one's own.
The Rumpus Poetry Book Club Chat with Ada Limón
The Rumpus Poetry Book Club chats with Ada Limón about her new book Bright Dead Things, writing love poems in an age of cynicism, and committing to places.
David Biespiel’s Poetry Wire: Cornerstones of American Poetry
The only way I can put it is, no American poet I have ever met regardless of disposition or poetics has disliked Frank Stanford’s poems.
The Last Poem I Loved: “Sleeping Lioness” by Larry Levis
As a fiction writer, and as a reader, I gravitate toward stories from the perspective of a specific, imperfect and alert, outward-and-inward-looking consciousness, a transparent eyeball with legs and, at…