At Lit Hub, a former student talks with Leslie Jamison, author of The Empathy Exams, about expressions of emotion in personal essays and why “confession and sentimentality [are] taboo.” For…
Karen Salyer McElmurray talks about academia, the relationship between flaws and perfection, writing memoir, and the "tapestry" of writers who inspire her.
How does an essay comes to its final shape? What’s the morphology of nonfiction’s popular form? Over at the Ploughshares blog, E. V. De Cleyre dissects works by Ander Monson, Claudia…
At the New York Times, writers Francine Prose and Leslie Jamison explain how their past jobs—at a morgue and in kitchens—have taught them about writing: But it was another truth…
Leslie Jamison and Benjamin Moser tackle a long-debated question for the Bookends column: “Should There Be a Minimum Age for Writing a Memoir?”. They both agree there isn’t—you can read…
It’s that time of year again, where writers young and old, from all corners of the country, come to congregate in one gigantic, frenetic, neurotic, alcohol-infused crowd, in a couple…
For a growing number of essayists, memoirists, and other wielders of the unwieldy “I,” confessional has become an unwelcome label—an implicit accusation of excessive self-absorption, of writing not just about…
For the New York Times‘s Bookends column, authors Charles McGrath and Leslie Jamison share their thoughts about what they perceive to be the best portrayals of marriage in literature. While McGrath argues…
In Leslie Jamison’s introduction to a new edition of Walt Whitman’s Specimen Days & Collect, excerpted over at Slate, the word “specimen” is rescued from its isolating, clinical connotations, instead becoming…
The work of the writer has always been about making the invisible visible. Leslie Jamison, author of The Empathy Exams, talks to Salon about Ferguson and fear, selfies and tattoos,…