Lisa Wells
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The Rumpus Interview with Carl Adamshick
[Adamshick’s] disinterest in self-promotion is plain, and the interview should be read with his tone in mind: wary, self-depreciating, somewhat amused.
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We’ll Call Them Contact Zones
Based in research of museum design, and memorialization, Slot’s narrator moves inside public landmarks dedicated to various disasters—9/11, slavery, Hiroshima, the Holocaust— and explores ways memorialization acts on conscience and memory, interrogating the urge to abstract, label, and catalogue suffering.