What does “modern single woman” even mean anymore? Over at the New York Review of Books, Lorrie Moore investigates the idiosyncratic legacy of Helen Gurley Brown, the once and future…
Great novels also experiment and innovate, but a short story can make a never-before-seen formal leap and then peace out, before you’re even sure what’s happened. At Electric Literature, Rebecca…
Lorrie Moore writes an extensive ode to her weird home state of Wisconsin, and its newest national sensation, the Netflix documentary series Making a Murderer. The well-acclaimed Wisconsin author’s viewpoint on…
In an adapted excerpt from her introduction to 100 Years of the Best American Short Stories over at Lit Hub, Lorrie Moore grasps at the ungraspable reasons we read short stories: This…
Over at Lit Hub, Robert Hahn finds homage to the voice of Nick Carraway in the fiction of Donna Tartt, Lorrie Moore, and Richard Ford, and discusses the lasting allure…
David Lipsky, whose book was recently adapted into the movie The End of the Tour, discusses his career as a writer and journalist as it’s evolved in the twenty years since his road trip with David Foster Wallace.
Musician Owen Ashworth on his new album, Nephew in the Wild, literary influences, self-expression in songwriting, and how becoming a father has changed his work.
For The Millions, Lauren Alwan provides “a brief history” and analysis of colloquial titles, including works from authors like Ernest Hemingway, Flannery O’Connor, Lorrie Moore, and Raymond Carver. In addition, Alwan…
So my introduction to July was one at which I watched her redefine boundaries and hijack something destined to be inert and turn it into something uncomfortably alive, whether you…
In Hazlitt, Naomi Skwarna writes about using the writing of Lorrie Moore as a mother substitute: Living without a mother is a freedom by turns radical and excruciating. It is…