The Rumpus Book Club Chat with Christopher Gonzalez
Christopher Gonzalez discusses his debut story collection, I’M NOT HUNGRY BUT I COULD EAT.
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Join NOW!Christopher Gonzalez discusses his debut story collection, I’M NOT HUNGRY BUT I COULD EAT.
...moreTyler Barton discusses his new story collection, ETERNAL NIGHT AT THE NATURE MUSEUM.
...more“Life is incredibly sad, but it’s also funny, joyful, wonderful, and strange.”
...moreEllene Glenn Moore discusses her debut poetry collection, HOW BLOOD WORKS.
...moreLauren Hough discusses her debut essay collection, LEAVING ISN’T THE HARDEST THING.
...moreKim Adrian shares a reading list to celebrate DEAR KNAUSGAARD.
...more“I work slowly, from sentence to sentence, and attempt to stay attuned to opportunity.”
...moreAlexandra Chang discusses her debut novel, DAYS OF DISTRACTION.
...moreJenn Shapland discusses MY AUTOBIOGRAPHY OF CARSON MCCULLERS.
...moreIdra Novey discusses THOSE WHO KNEW.
...moreA list of books written by women, translated by women, and in many instances, both!
...moreThe 2018 Whiting Awards winners share books that have inspired them, plus a giveaway!
...moreLaurie Stone discusses her story collection, My Life as an Animal, writing about death, how the reader doesn’t care about you, and the Third Iago.
...more“[T]here was something really empowering about being honest and open about this part of myself. Somehow, writing helped lessen the shame.”
...moreRachel B. Glaser discusses her newest poetry collection, HAIRDO, her writing process, and the books and writers that have influenced her.
...moreDanzy Senna discusses New People, inhabiting her characters without judging them, playing with the reality and surreality of identity, and pushing against traditional story arcs.
...moreI can’t help but wonder what if, in detangling love stories and our relationships to them, Catron is building yet another narrative—an anti-narrative, perhaps—of love.
...moreIt is about the essential parts of story. The bones. The steel rods and rings. The skin that goes white with tension. Tolerating that kind of discomfort takes practice, yes, but it is exhilarating.
...more“You haven’t even begun,” she admonishes the younger version of ourselves. “You must pause first, the way one must always pause before a great spirit, if only to take a good breath.”
...moreSaleem Haddad discusses his debut novel Guapa, the Orlando shootings, the importance of queer spaces, and Arab literature.
...moreRebecca Schiff discusses her debut collection The Bed That Moved, choosing narrators who share similarities with each other and with herself, and whether feminism and fiction-writing conflict.
...moreNovelist Christopher Boucher talks about writing so-called “experimental” fiction, both embracing and denying the metaphor, and apples.
...moreI love the English language. I know some people go into translating because they love foreign languages, but I love English above all, and I enjoy translating these foreign texts into my beloved English. In the first of six-part interview series with literary translators, the Los Angeles Review of Books features a conversation with Lydia […]
...moreJohn D’Agata, visionary champion of the essay and master anthologizer, sees the lyric form “partake of the poem in its density and shapeliness, it’s distillation of ideas and musicality of language.” He also sees it as unbound to conventional notions of truth. Writing for Harper’s, Elaine Blair critiques the genre-bending, exploratory practices of writers like David Shields, […]
...moreGreat novels also experiment and innovate, but a short story can make a never-before-seen formal leap and then peace out, before you’re even sure what’s happened. At Electric Literature, Rebecca Schiff introduces us to the authors who have revolutionized the short story in recent years.
...moreSometimes we bypass the classic novels on the way to the rich offering of current literary fiction. Fair enough; there is so much to love in today’s fiction. But once in a while, dust off a classic gem and consider the language, the depth, the metaphorical heft these books carry—along with being engrossing, powerful reads. Reading […]
...moreJohn Freeman, Executive Editor at Lit Hub, talks with Suzanne Koven about his new print-only literary magazine Freeman’s, the difference between between criticism and editing, and his fear of flying.
...moreJoanna Walsh discusses her story collection, Vertigo, consciousness, artifice, and simultaneity.
...moreWe know we are very special. Yet we keep trying to find out in what way: not this way, not that way, then what way? Lydia Davis has thirteen new poems at BOMB, and they show what Lydia Davis does best: make the world spin in ways not thought possible within a single sentence. Strangeways here we […]
...moreOver at Electric Literature, John Freeman shares his experiences working as an editor with Lydia Davis and investigates what makes Davis “such a tremendous writer on love”: Her stories tighten and tighten around the narrator’s assumptions and build a kind of pressure is an effect that illuminates many altered states. Moreover, what Davis was good at […]
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