Manjula Martin
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The Rumpus Book Club Chat with Chrissy Stroop and Lauren O’Neal
Co-editors Chrissy Stroop and Lauren O’Neal discuss their new anthology, EMPTY THE PEWS.
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Notable Portland: 2/23–3/1
Thursday 2/23: Celebrate the launch of Mercy Strongheart’s debut novel, A Boy Named Trout, with a live reading complete with snacks and beverages. 20% of book sales will go to the p:ear gallery. p:ear, 6:30 p.m., free. Enjoy a free…
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Notable NYC: 2/11–2/17
Saturday 2/11: Immigrant Rally: Here to Stay. Washington Square Park, 2 p.m., free. Maryam Monalisa Gharavi and Jennifer Scappettone join the Segue Series. Zinc Bar, 4:30 p.m., $5. Sunday 2/12: Nicole Fix, Joanna C. Valente, Fraylie Nord, and Yardenne Greenspan…
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Notable Los Angeles: 1/23–1/29
Tuesday 1/24: Brad Schreiber reads from and signs Revolution’s End. 7 p.m. at Chevalier’s Books. The Atlantic‘s James Hamblin presents his new book If Our Bodies Could Talk, joined in conversation with illustrator Hallie Bateman. 7:30 p.m. at The Last…
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Scratch: Writers, Money, and the Art of Making a Living edited by Manjula Martin
Today in Rumpus Books, Elizabeth Stark reviews Scratch: Writers, Money, and the Art of Making a Living, edited by Manjula Martin.
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Notable San Francisco: 1/4–1/10
Friday 1/6: Jon Sindell launches his new book of stories, Family Happiness. Participants in this event include Kyrsten Bean, Michael Crabtree, Steven Kacsmar, Lynn Mundell, and Sandra Wassilie. Free, 7 p.m., Octopus Literary Salon. Saturday 1/7: Aggregate Space Gallery and…
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Who Pays Writers?
Which publications pay writers? How do writers make enough money to survive? Scratch, a new online magazine edited by Jane Friedman and Manjula Martin, aims to find out. Their inaugural issue is free and includes an interview with Jonathan Franzen,…
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The Rumpus Interview with Madison Young
Madison Young discusses her current projects, Fifty Shades of Grey mania, and how to survive San Francisco’s gnarly rental market as an artist.
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Albums of Our Lives: Gillian Welch’s Time (The Revelator)
I knew I was a pretender, too, knew it in all the ways a twenty-six-year-old can believe that she is broken and that nobody else can see how badly.