Blue, Blue Windows: On Writing and Helplessness in the Age of Trump
The brain in the jar wants out, you know. It just can’t do anything about it.
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Join NOW!The brain in the jar wants out, you know. It just can’t do anything about it.
...moreTobias Carroll discusses his newest collection Transitory, the influence of film on his writing, and getting good news at bad times.
...moreThe summer and early fall of 1974 replays like a gritty movie in my head, a 70s era Lumet or Scorsese, elements of cinema verite, but stylized, heightened.
...moreProducer Jeff Sommerville, director Alfonso Gomez-Rejon, and the cast of Me and Earl and the Dying Girl discuss their movie that went to Sundance and beyond.
...moreBook-to-movie adaptations are nothing new, but does the transition work the other way around? Over at Electric Literature, Tobias Carroll examines the capacity of prose to put film on paper: This shouldn’t work, but it does. Perhaps it’s that the deconstructive elements of the novel echo another part of the world of cinema: between film […]
...moreIn a conversation with Joe Fassler at Salon, Robert Silvers, “co-editor or editor for every issue” of the New York Review of Books, recalls how the publication came to be born.
...moreThis movie is not a critique. It’s an advertisement for capitalism and its salacious, delectable greeds.
...moreVeteran directors Francis Ford Coppola, Martin Scorsese and Steven Spielberg are jumping on the 3-D movie bandwagon, though this cinematic trend’s sustainability is currently being questioned. With movie studios and DVD sales in financially tenuous situations, 3-D movies could be the perfect remedy for declining sales. But how long will it take for them to […]
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