The summer and early fall of 1974 replays like a gritty movie in my head, a 70s era Lumet or Scorsese, elements of cinema verite, but stylized, heightened.
Producer Jeff Sommerville, director Alfonso Gomez-Rejon, and the cast of Me and Earl and the Dying Girl discuss their movie that went to Sundance and beyond.
Book-to-movie adaptations are nothing new, but does the transition work the other way around? Over at Electric Literature, Tobias Carroll examines the capacity of prose to put film on paper:…
In a conversation with Joe Fassler at Salon, Robert Silvers, “co-editor or editor for every issue” of the New York Review of Books, recalls how the publication came to be…
Veteran directors Francis Ford Coppola, Martin Scorsese and Steven Spielberg are jumping on the 3-D movie bandwagon, though this cinematic trend’s sustainability is currently being questioned. With movie studios and…