Awake to the World: Talking with Tyler Barton
Tyler Barton discusses his new story collection, ETERNAL NIGHT AT THE NATURE MUSEUM.
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Join NOW!Tyler Barton discusses his new story collection, ETERNAL NIGHT AT THE NATURE MUSEUM.
...moreI hope, by writing this, language can jar a wound.
...moreWith Gabrielle Bates, I.S. Jones, and Erin Marie Lynch.
...moreTiffany Cates shares a reading list to celebrate M-THEORY.
...moreA look back at the books we reviewed in 2020!
...moreSarah J. Sloat discusses her new collection of erasure poetry, HOTEL ALMIGHTY.
...moreI surprised myself by reading Memory in an afternoon.
...moreRuefle’s memories are as alive as the bodies holding them.
...moreJenn Shapland discusses MY AUTOBIOGRAPHY OF CARSON MCCULLERS.
...moreRumpus editors share their favorite books to gift to friends and family!
...moreElisa Gabbert discusses her newest book, THE WORD PRETTY.
...moreLiterary events in and around L.A. this week!
...moreKaveh Akbar discusses his new collection Calling a Wolf a Wolf, finding community in poetry, books on craft, and mining the supernatural for poems.
...more“You haven’t even begun,” she admonishes the younger version of ourselves. “You must pause first, the way one must always pause before a great spirit, if only to take a good breath.”
...moreWhat is lost still has substance, is malleable, can take on new impressions, and be molded again to our experience, often resulting in the most lasting force that determines how we see the world.
...moreAuthor Elisa Gabbert talks about her books, The Self Unstable and The French Exit, diversity, publishing, whiteness, and writing in the Internet Age.
...moreGenerations of American writers have approached Asian cultures with the best of intentions but repeatedly missed the mark. How can we rescue Asian artists and thinkers like Hokusai from our own desire to experience them as foreign? How can we experience Hokusai not as the Japanese artist, not as one of the roots of European […]
...moreThe Rumpus Poetry Book Club chats with Sandra Beasley about her new book Count the Waves, sestinas, and how actions can serve as signposts in the time stream.
...more“If your teachers suggest that your poems are sentimental,” she writes, “that is only the half of it. Your poems probably need to be even more sentimental. Don’t be less of a flower, but could you be more of a stone at the same time?” For the Kenyon Review blog, Cody Walker takes another look […]
...moreQ: What is the difference between a poem and a cloud? A: Not very much, according to the poet Mary Ruefle in this (delightful) interview, found in Music & Literature: The clouds are written to us, as we are the only ones to receive them, we the living. And what are poems but weather reports? Is there a difference […]
...moreA good thing to do on a Monday is to go and read, or re-read, Mary Ruefle’s beautiful essay I remember at the poetry foundation — a beautiful meditation on childhood, cows and her first electric typewriter (and also, just about everything else). I remember, two years later, reading Three Poems on a grassy slope while across the […]
...moreMy take on it is, we should be suspicious of everything that IS called a masterpiece.
...moreMadness, Rack, and Honey is a gift from a rigorous intellect, unflinching critic, and a big old sloppy heart. Ruefle has created a work of poetry from the daunting task of writing about it.
...moreMary Ruefle’s Selected Poems is best appreciated not for its message or its drama, but for its expert way at guiding a reader through the writer’s lively imagination.
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