Laurie Sheck is the author, most recently, of Island of the Mad, and A Monster’s Notes, a re-imagining of Mary Shelley’s Frankenstein. A Pulitzer Prize finalist in poetry for The…
You subconsciously love car alarms and early morning construction. Nature on Mary Shelley and brains that “whizzed.” Well-aged whiskey sans barrel: researchers’ little secret. Save money! Eat salad! Click here…
In an excerpt from the introduction to their new book The Big Book of Science Fiction, Ann VanderMeer and Jeff VanderMeer explore what they identify as the three strains of science…
Over at The New Republic, Francine Prose writes about Frankenstein’s conception, as a bet in a drama-fueled writer’s group, as fueled by a young soon-to-be-mother’s anxiety, as a cleverly-plotted Gothic…
A new exhibit, Fantastic Worlds: Science and Fiction 1780–1910, is on view at the newly renovated Smithsonian Libraries Gallery at the National Museum of American History. The exhibit explores the imaginations of 18th…
Acclaimed poet and writer Laura Mullen talks about her new book, Complicated Grief, obsession, germ theory, and exposing the arbitrary and superficial protections that have failed us.
Lit Hub has been sharing excerpts of classic favorites to help weather the brutal cold—or, well, the mild cold, as is the case here in New York. Cozy up with the…
At the Public Domain Review, Sharon Ruston examines contemporary influences on Mary Shelley’s Frankenstein, specifically with regards to scientific developments in discovering the line between life and death.
The Wall Street Journal interviews biographer Charlotte Gordon about Mary Shelley’s relationship with her mother, Mary Wollstonecraft, and how her mother’s feminism permeated the future Frankenstein author’s entire life.
The banality of evil hides in people, and who they unleash it upon become forever tainted by their names. They become one. Creator and monster. Evil by association.