The Rumpus Interview with Amy Fusselman
Amy Fusselman discusses her latest memoir/manifesto/philosophical treatise Savage Park, the rise of a new kind of nonfiction, and what kind of art “discombobulates her and makes her scream.”
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mcsweeney’s
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When Actions No Longer Exist
Language is a great way to communicate, and an even better way to avoid it altogether. This “Interactive Guide to Ambiguous Grammar” ensures no one will ever decode what you’re…
The Rumpus Interview with Etgar Keret
Writer Etgar Keret talks about his new memoir The Seven Good Years, the early criticism he faced as a writer, and the surreal that is always waiting.
The Alternate Careers and Future Projects of Alejandro Zambra
[Soccer] games on the radio are absolutely like literature—the metaphors, the pacing, the need for an evolving style. You can’t always say the same thing. The role of the play-by-play…
The Gentrified City by the Bay
Now, I was wondering if you could help me get something to eat. You wouldn’t be just handing me money to do whatever with — I know that’s a concern…
Remembering, Repeating, and Working Through
How do we begin to describe the indescribable? In McSweeney’s newest book That Thing You Do With Your Mouth, actor Samantha Matthews and author David Shields challenge the way we…
McSweeney’s Seeks Donations
The 18-year-old independent publisher McSweeney’s is looking to raise some money for a new wave of projects. The publisher of Timothy McSweeney’s Quarterly Concern, The Believer, The Organist podcast, and more…
Growing Up: The Rumpus Interview with Michelle Tea
Michelle Tea discusses life in recovery, the meaning of family, motherhood, and her new memoir How to Grow Up.
Similes for Sale
You could spend hours being creative and find out that half of your ideas are on the Internet already. So why bother pursuing new ideas when I can sell you…
Swinging Modern Sounds #61: Songs for the Alliterative at Heart
Michael Hearst has come a long way from the guy who played plastic wind instruments on Seventh Avenue, to an admirably creative and original adulthood.
This Week in Short Fiction
This week, last week, men who have taken lives are walking away unpunished, unquestioned even. We have their victims’ names: Mike Brown. Eric Garner. We have their final words: Hands…
The Last Laugh
Memoirist (and former editor-at-large of McSweeney’s) Sean Wilsey talks to The Atlantic about his essay collection, More Curious, and why humor writing resonates: I think there’s something dishonest about writing that isn’t funny. I can’t engage…