Visual Storytelling: A Conversation with Marnie Galloway
Marnie Galloway discusses her award-winning comic IN THE SOUNDS AND SEAS.
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Join NOW!Marnie Galloway discusses her award-winning comic IN THE SOUNDS AND SEAS.
...moreMicah Perks talks about her new novel, What Becomes Us, America’s cultural and mythical heritage, and why every novel is a political novel.
...moreThat’s what the Lonely Voice has always been to me. It was a privilege to be allowed to have a private conversation with myself in public.
...moreRoald Dahl and Quentin Blake aside, it’s hard to imagine a more mutualistic artist-writer pair than Robert Kloss and Matt Kish. (The Rumpus also recommends the duo of Casey Scieszka and Steven Weinberg.) Kloss and Kish (who also illustrated every page of Moby Dick) have never met, but they still manage to talk about landscapes […]
...moreIn accordance with the 163rd anniversary of Moby-Dick, Elisabeth Donnelly explores why Melville’s “American Bible” is still relevant today: Perhaps what Moby-Dick has to offer for generations of readers is “a shaft of light in the darkness,” as Philbrick puts it. “Not that it provides any real consolation, it just resonates with what it means to be alive in the face […]
...moreOffice fiction is deliberately and narrowly construed as being about manners, sociability, gossip, the micro-struggles for rank and status—in other words, “office politics”—rather than about the work that is done in offices. In Dissent, Nikil Saval writes about white-collar alienation and the art and politics of office fiction.
...moreRobert Olmstead’s new novel demonstrates Robert E. Lee’s maxim: “It is well that war is so horrible, or we would grow to love it too much.”
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