Ariel Gore discusses her new novel We Were Witches, why capitalism and the banking system are the real enemies, and finding the limits between memoir and fiction.
Faith Adiele discusses what it means to be a good literary citizen, the importance of decolonizing travel writing, and how she wants to change the way Black stories are being told.
Alexandria Marzano-Lesnevich discusses The Fact of a Body: A Murder and a Memoir, the importance of narrative structure, and the difference between facts and stories.
There is no way to classify a response to pregnancy. It is what it is, which is why people find consolation in naming their phantoms. In this case, the phantom is named Catalpa.
Brandon Harris discusses his memoir Making Rent in Bed-Stuy, gentrification in New York City and Brooklyn, the homogenization of American cities by corporate America, and whiteness of film culture.
Jessica Berger Gross discusses her new memoir, Estranged: Leaving Family and Finding Home, walking away from her parents age of twenty-eight, and the importance of boundaries.
Author Meghan Lamb‘s new novel, Silk Flowers (Birds of Lace, March 2017), is a book that cuts to the core of disturbance. In it, a woman is struck by an…
Erika Carter’s debut novel Lucky You tells the story of three young women in their early twenties who leave their waitressing jobs in an Arkansas college town to embark on…
When women do not want a pregnancy, we may not experience the marvel and awe some claim are instant and “natural”—or, if we do, they are overshadowed by fear, and grief.