In an excerpt from Why We Write About Ourselves, National Book Award-winner James McBride writes about that question, among other things—the ethics of memoir writing, diversity in publishing, the necessity…
If you don’t like memoir, don’t read it. And certainly don’t write about it. So you might be a critically acclaimed novelist, but if you don’t understand the genre, your…
The Rumpus Book Club talks with Paul Lisicky about his new book The Narrow Door>/em>, how much of your story you own, and the importance of reading your own work aloud.
Author Mira Ptacin discusses her memoir Poor Your Soul, what inspires her to write, motherhood, and why she considers her beat “the uterus and the American Dream.”
Sandra Cisneros, author of The House on Mango Street, talks about her new memoir, A House of My Own, living in a post-9/11 era, and the necessity of heartbreak.
In her twenties, the author was criticized for showing too much emotion. Decades later, having learned to compartmentalize, she's accused of not being able to feel. Is this depression, or contentment?
Meline Toumani discusses her debut, There Was and There Was Not, the rewards and risks of writing a political memoir, and what it means to approach a divided past and future.
I love memoirs about difficult times that don’t sugarcoat it, that don’t pretty it up. I love a memoir that finds the beauty—there is such an unbelievable amount of beauty…
Brevity’s nonfiction blog takes a look at a recent short film about writer George Saunders’s thoughts on storytelling, and applies his advice to essay and memoir: With nonfiction, looking underneath…
Janice Erlbaum talks about her new novel, I, Liar, how writing memoir compares to writing fiction, homelessness in America, and Munchausen syndrome and Borderline Personality Disorder.
The Rumpus Book Club chats with Rick Moody about his new book Hotels of North America, unreliable narrators, hotel porn, how titles are uncopyrightable, and Internet comment sections.