It was as if he understood that the authentic must begin in the voice. And through the texture of the voice—its moral and psychological claims—sensory details emerge with absolute authority.
For JSTOR Daily, Ellen C. Caldwell examines historical “memory-making” and our changing interpretations of historical events over time. Caldwell focuses on the 1746 Battle of Culloden, a battle that ended the…
This is a story about memory. About neurons misfiring, about the strange space between dream and awake, that feeling, when I’m falling asleep, of falling backwards, swinging my arms up to catch myself.
1964, a month prior to the anniversary of JFK’s assassination, a different home movie shot. Infant toss. Up-down. Plummeting. I’m ten months of age—picking up speed.
Rob Roberge talks about his new memoir, Liar, the differences between writing fiction and writing memoir, and why every narrator is an unreliable narrator.
Where do our words go when we lose them? Jenny Diski embarks on an exploration into vanishing vocabulary: So I had a thought about writing a book for the elderly, the old. Those…