Did the Iowa Writers’ Workshop take money from a CIA front? Has it left a profound impact on literature as we know it? The folks over at The Chronicle of…
The two central myths are one, that literary citizenship is all about self-promotion, and two, that it’s connected deeply to the “marketplace.” In an interview for Ploughshares, Tasha Golden talks to…
There are a lot of people who have very strong feelings about MFA programs, but Blake Butler’s Vice piece “What I Remember from Getting an MFA in Creative Writing,” just sort…
Poets & Writers recently ranked the country’s MFA programs, and as rankings often do, it is being received with some hostility. Their hierarchy of MFA programs is based on the…
John Gallaher is looking for responses in what he’s calling his “Market Research Friday.” Yes, it’s Saturday, but I suspect he’s leaving comments open for a while yet. Here’s what…
Creative programs are increasingly common and so are their criticisms. The difficulty with pinpointing creativity to an academic institution or justifying a trend where tuition money and literary prowess are…
Last week in my Poetic Lives Online column, I wrote a little about the immediate reaction to the Poets & Writers MFA program rankings. Well, it’s blown up a bit…
Can you tell the difference between E. E. Cummings and a YouTube commenter? (It’s really not as hard as it looks.) Caroline Guinzio has been guest blogging at Unstressed this…
“All of us, all the time, are searching for some order in the world/universe/our lives. We’re searching for guiding principles and explanations. Especially in times of stress, we tend to…
Barbara Jane Reyes has a good response to the New Yorker article on MFA programs I posted earlier. At Harriet, Don Share takes on poetry reviews, even though he’s tired…
Louis Menand has really been on a roll this year. First the must-read article about how the Village Voice changed journalism, then the article on Donald Barthelme, and now this…