Saying What Shouldn’t Be Said: A Conversation with Julie Buntin
Julie Buntin discusses her debut novel, Marlena, why writing about teenage girls is the most serious thing in the world, and finding truths in fiction.
...moreJulie Buntin discusses her debut novel, Marlena, why writing about teenage girls is the most serious thing in the world, and finding truths in fiction.
...moreTamiko Nimura talks about the influence of history, memory, and silence on her work; creating a private MFA for herself; and writing a generational memoir.
...moreChen Chen discusses his new collection When I Grow Up I Want to Be a List of Further Possibilities, playing the game white supremacy has set up, and if God is trying and failing to be a cool dad.
...moreWhen I attended professional acting school back in 1986 (the MFA program at UC Irvine, I proudly remark), I had a teacher ask me once, “Charles, are you able to feel any authentic emotion other than anger?” I paused for a bit and considered the question, before answering, truthfully, “No. I don’t suppose I can.” […]
...morePoet Vincent Toro on his debut collection, Stereo.Island.Mosaic, his writing process, and searching for identity.
...moreLaurie Sheck is the author, most recently, of Island of the Mad, and A Monster’s Notes, a re-imagining of Mary Shelley’s Frankenstein. A Pulitzer Prize finalist in poetry for The Willow Grove, she has been a Guggenheim Fellow, as well as a fellow at the Radcliffe Institute for Advanced Study at Harvard, and at the […]
...moreAbeer Hoque talks about coming of age in the predominantly white suburbs of Pittsburgh, rewriting her memoir manuscript ten times, and looking for poetry in prose.
...moreMila Jaroniec talks about her debut novel Plastic Vodka Bottle Sleepover,” writing autofiction, the surprising similarity between selling sex toys and selling books, and the impact of having a baby on editing.
...morePoet Erik Kennedy discusses literary community and his formative years as a young writer in New Jersey, and shares two new prose poems.
...moreMelissa Yancy discusses her debut story collection Dog Years, using her day job for inspiration, and being “an old curmudgeon at heart.”
...moreJerald Walker discusses his memoir, The World in Flames: A Black Boyhood in a White Supremacist Doomsday Cult, the story of his childhood in The Worldwide Church of God, and how the act of writing delivered him from bitterness.
...moreRion Amilcar Scott discusses his story collection Insurrections, father relationships, hip-hop, knowing when to abandon a project, and choosing not to workshop certain stories.
...moreJennifer Martelli discusses her debut collection of poetry, The Uncanny Valley, growing up saturated with images of the Madonna, and her experience of motherhood first as a daughter and now as a mother.
...moreJeremy P. Bushnell discusses his new novel, The Insides, themes of consent, and designing a post-apocalyptic board game.
...moreVi Khi Nao on her new novel Fish in Exile, why women shouldn’t apologize (even when they’re wrong), moving between genres, and why humor is vital in a novel full of darkness and grief.
...moreAlice Mattison discusses her newest book, The Kite and the String, a meditation on her lifelong journey through the craft of writing, the joys of teaching writing, and the importance of community.
...moreI don’t consider myself a political person. To me, there are no “wrong” political beliefs. I believe that democracy means respecting everyone’s right to her opinion. And if I were forced to declare my own political views, I would have to reluctantly admit that, out of cynicism and self-interest, I find myself increasingly leaning towards […]
...moreEsmé Weijun Wang discusses her first novel, The Border of Paradise, about a multi-generational new American family, creative expression through writing and photography, and interracial relationships.
...moreI met one of my favorite writers before she ever published a single story. We were classmates vying for our MFAs in Creative Writing from Florida International University and would smile at each other from across the room. She was shy, but never defensive, in workshop and always strove, really made the effort, to answer […]
...moreBrian Booker discusses his debut collection Are You Here For What I’m Here For?, giving characters strange and unusual names, and sleeping sickness.
...moreOur bodies are incredible and intelligent things.
...moreThe artist statement is not just a representation of what you are working on, but an intervention in what you are working on. If you start saying, I aim to do this and not to do this, maybe it keeps you from thinking of your perfect aim, which is none of those things. For BOMB, […]
...moreRussell Banks discusses his new book, Voyager: Travel Writings, why we are never free from our history, and how writing saved his life.
...morePeg Alford Pursell is the author of the forthcoming book of flash and hybrid prose, Show Her a Flower, A Bird, A Shadow (ELJ Publications). Her work has been published in VOLT, the Journal of Compressed Arts, and RHINO, among others, and shortlisted for the Flannery O’Connor Award. She produces Why There Are Words, the acclaimed Bay Area reading series she […]
...moreShawn Andrew Mitchell reviews The Kite and the String by Alice Mattison today in Rumpus Books.
...moreWhat do we as writers tell each other about the intersections of trauma and desire? How do we encourage (or discourage) each other to reveal the power and tensions in those margins?
...moreBlair Braverman discusses her latest book, Welcome to the Goddamn Ice Cube: Chasing Fear and Finding Home in the Great White North, gendered travel narratives, and the pressure to write about personal trauma.
...moreThe day the manuscript became Driving without a License was the day I said “yes” to the truth of my own life and coming-of-age experience as an undocumented immigrant.
...moreHow do you work with a material that you don’t have trust in? I had to step away from it and find another way of articulating and I had to do it without words.
...moreCole Lavalais discusses her debut novel, Summer of the Cicadas, why she’s a huge fan of outlining, and the importance of dedicated communities for black writers.
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