If there is no distinction between show and commercial, ethics and entertainment, what kind of distinctions, if any, exists between her imaginary play, her consumer life, and our reality?
Jessica Berger Gross discusses her new memoir, Estranged: Leaving Family and Finding Home, walking away from her parents age of twenty-eight, and the importance of boundaries.
Shame is a treble hook that tells me that 1) I not only fail but am a failure, that 2) I not only damage people but I am damaged, and that 3) I not only lie but I am a lie.
When women do not want a pregnancy, we may not experience the marvel and awe some claim are instant and “natural”—or, if we do, they are overshadowed by fear, and grief.
Touch is a compelling argument that we should embrace the physical world, genuine human connections, and reject the technology that comes between us and other people.
For the rest of this month, Granta will be publishing the winners of the 2017 Commonwealth Short Story Prize, awarded to five writers from five regions of the globe, with…