Dawn Tripp discusses Georgia, her new novel based on Georgia O’Keeffe’s life, O’Keeffe’s distancing herself from feminism, and balancing biography with fiction.
I think back and then here, where I can only think of beasts with stains: oil and blood. They have become as familiar as an oil-stained cloth in a garage, or the things we ignore, just there in the light.
The thing about Paradise is this—yours can’t be mine, and mine can’t be yours. Paradise exists in the imagination, and imagination is our only privacy.
Esmé Weijun Wang discusses her first novel, The Border of Paradise, about a multi-generational new American family, creative expression through writing and photography, and interracial relationships.
Now everything finally made sense. I had practically died and woken up, resurrected. That’s why everyone was looking at me funny. Like its cousin Death, Near-Death leaves a stench that makes people uncomfortable.
In a world in which it is okay for our president to mock a man with disabilities, we might well never see again the ultimately beautiful sight of a classroom of children disowning their own cruelty, choosing to be on the side of decency and care.