Nabokov

  • The Butterfly Effect

    At The New Republic, Laura Marsh examines the interplay—or lack thereof—between Nabokov’s identities as a writer and a lepidopterist. In her investigative and detailed cataloguing of scientific and literary happenings, her only steadfast finding may be this: “There’s a special…

  • Weekly Geekery

    Facial recognition technology is a little racist. Two writers talk about the end of the world and more importantly, the end of social media. Robots are just babies—tiny, terrifying babies. Nabokov and butterfly sex.

  • The Rumpus Interview with Rob Roberge

    The Rumpus Interview with Rob Roberge

    Rob Roberge talks about his new memoir, Liar, the differences between writing fiction and writing memoir, and why every narrator is an unreliable narrator.

  • Women are People—Who Knew?

    …there is a canonical body of literature in which women’s stories are taken away from them, in which all we get are men’s stories. And that these are sometimes not only books that don’t describe the world from a woman’s…

  • We Wish You A Literary Christmas

    From Dickens to Nabokov to Ali Smith, Kate Webb traces the history of authors pondering Christmas, and the 21st century revival of the Christmas story: Even in our prickly individualism, hemmed in by consumer goods, there are moments when we…

  • Odes to Lolita, the Sexuagenarian

    It was like being marched through someone’s private idea of a perfect night, a night where I was the center but one that had curiously little to do with me at all—all of which is to say that in an…

  • Affected

    Over at ZYZZYVA, Sam Shuler reviews Robert Roper’s new work, Nabokov in America. Roper focuses on Nabokov’s experiences in America, and claims that Nabokov was able to write his best work in America because he was so affected by the…

  • (K)ink: Writing While Deviant: Tina Horn

    (K)ink: Writing While Deviant: Tina Horn

    I would go so far as to say that the entire reason I write is to detect all the irony that language allows and twist it around the truth like razor wire and ivy. That’s how I like my truth:…

  • Justifying the Template

    Too many stories about mopey suburbanites. Too many well-off white people. A surfeit of descriptions, a paucity of action. Too much privileging of prose for the sake of prose, too little openness to rougher energies. And those endings? At the…

  • Reading on Reading on Reading

    For Ploughshares, Clare Beams talks about the strange effect of reading a story in which someone reads a story: Paintings of people looking at paintings, like this one, can make me fall into a dizzy sort of hole. Gazing at…

  • Against Realism

    Against Realism

    What is it Ferrante has that American fiction lacks?

  • Sean Kilpatrick on Inspiration

    Nicholas Rys interviews Sean Kilpatrick, author of Sucker June, on the creation of his characters, comparisons of the book to Nabokov’s Lolita, and how film inspires the writer: I came first to film like a neighing kinsman. Anyone could snicker…