Julie Buntin discusses her debut novel, Marlena, why writing about teenage girls is the most serious thing in the world, and finding truths in fiction.
The latest issue of The Gentlewoman features Deborah Orr’s email interview with Elena Ferrante, who shares her thoughts on anonymity, the protagonists in her Neapolitan novels, and feminism. Ferrante says:…
Great news for everyone swept up in the recent #ferrantefever (or possibly terrible news for those who loathe book adaptations): Elena Ferrante’s Neapolitan series will be produced for television. The…
Over at Guernica, Katrina Dodson interviews Ann Goldstein, Elena Ferrante’s translator, about the mysterious Italian writer, the final Neapolitan novel, and the meaning of life: Whether you’re a writer or…
For Public Books, David Kurnick explores how Elena Ferrante’s attention to history contributes to the addictive nature of her novels and is helping to “revive” realism: The addictive quality of the Neapolitan…
After reading the first two books in Elena Ferrante’s Neapolitan series, Sara Goldsmith enlisted her mother to translate the third book from Italian so that she didn’t have to wait another…
In preparation for the release of the last book of Elena Ferrante’s Neapolitan Novels, Electric Literature’s Emma Adler offers a comprehensive “study guide” to the previous three books. While the article is…