Tom Hanks (yeah, that one), lands his short fiction debut over at the New Yorker: I’ve been around great storytellers all my life and, like an enthusiastic student, I want…
Over at the New Yorker, Etgar Keret and Sayed Kashua continue their conversation: I believe that this despair is temporary, and that even though there are quite a few political elements…
For the New Yorker, Jon Michaud reveals how S.E. Hinton’s The Outsiders, a staple in middle school and high school classes, came to define the young adult genre: “The Outsiders…
At The Millions, Darcey Steinke gives an elegy for her Southern hero, Barry Hannah. She recalls their first interaction—when he called her to say a New Yorker review of her…
For the New Yorker, Vauhini Vara wonders if the Nobel Prize is necessary for foreign authors to be successful in the United States, as large publishing companies hesitate to release translated works…
Etgar Keret and Sasha Kayua have had a pretty busy year: after speaking out against Israeli intolerance, and getting snubbed on every front, the pair turned to penning their viewpoints…
The New Yorker looks at Arctic Summer, Damon Galgut’s fictional account of E.M. Forester writing A Passage into India, and tries to determine what a novel might tell us that…
In anticipation of the Best American Essays 2014, which will come out later this week from Houghton Mifflin, the New Yorker brings us an adaptation of John Jeremiah Sullivan’s introduction…
There aren’t many things that make sense, nakedly, without justification or explanation or exposition. But George Saunders reading Barry Hannah and Grace Paley does. For the New Yorker‘s Page Turner,…
“He had an inexplicable contempt for men who did not hurl themselves into pools,” Cheever wrote. I felt the same way. Inspired by Cheever’s “The Swimmer,” Carolyn Kormann swam across…
Responding to the ongoing debate about whether or not American literature is saturated with young adult fiction (and if adults should read these novels), Christopher Beha, in the New Yorker,…