The Idiosyncrasies of Aging: Talking with Ali Solomon
Ali Solomon discusses her new book, I AM WHY DO I NEED VENMO? YEARS OLD.
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Join NOW!Ali Solomon discusses her new book, I AM WHY DO I NEED VENMO? YEARS OLD.
...moreAgent Rob McQuilkin and editor Helen Atsma discuss AFTERPARTIES by Anthony Veasna So.
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...moreQuin, too, must make sense of his behavior and the consequences.
...moreA weekly roundup of essays we’re reading online!
...moreA weekly roundup of essays we’re reading online!
...more“This novel is my most intimate and biographical.”
...moreJIa Tolentino discusses her debut essay collection, TRICK MIRROR.
...moreMusic critic Amanda Petrusich discusses DO NOT SELL AT ANY PRICE.
...moreA weekly roundup of essays we’re reading online!
...moreA weekly roundup of essays we’re reading online!
...moreOh, the simple pleasures of life before the Internet. Emma Rathbone hilariously takes us back to that arguably better time over for New Yorker. At JSTOR Daily, M. Milks comes to claim their queer identity thanks to the most radical of groups: book club. Gloria Harrison’s life splits in two after a terrible accident, and she attempts […]
...moreDavid Sedaris discusses his new collection of diary entries, Theft By Finding, his love for book signings, and his inevitable return to IHOP.
...moreDavid Grann’s new book Killers of the Flower Moon explores the 1920s murders of the Osage tribe, the making of the FBI, and is a reminder of the all too recent history of betrayals that comprise America’s dark heart.
...moreGeorge Saunders discusses his new (and first) novel Lincoln in the Bardo, Donald Trump, and a comprehensive theory of literature.
...moreLarissa MacFarquhar discusses her book Strangers Drowning, why she finds nonfiction so compelling, and how she gets inside the minds of her subjects.
...moreIn an extended essay in the New Yorker, Megan Marshall, author of the forthcoming Elizabeth Bishop: A Miracle for Breakfast, writes about Bishop’s late, serendipitous move to Harvard where she met Alice Methfessel, a young “house secretary” who would become her caretaker, and the last great love of her life: “The poor heart doesn’t seem to […]
...moreIn an article for the New Yorker, Richard Brody writes about the newly restored 1967 film by Hans-Jürgen Syberberg, Romy: Anatomy of a Face. The film “offers an intimate view of the actress Romy Schneider, revealing crucial conflicts behind the image of a public figure who loomed large in the German national imagination—and within the […]
...moreIf some have trouble coming to terms with what Mège has made or done, it could be useful to think of her work, as conceptual as it might be, as a dance that lasted twenty-two years. For the New Yorker, Anna Heyward profiles Isabelle Mège, a regular person who has sought out portraits of herself from […]
...moreI only have a curiosity, an interest, a love, and that’s it, really. At the New Yorker, Michele Moses shares a video clip from the 2016 New Yorker Festival featuring writers Zadie Smith and Jeffrey Eugenides in conversation about their writing habits, point of view, and research. Separately, in a New York Times article, Eugenides […]
...moreOver at the New Yorker, Jonathan Blitzer writes about novelist Rabih Alameddine’s artful Twitter feed and how posting paintings and photographs is part of the author’s writing process. “[W]hile the welter of distractions on the Internet is a liability to many authors, Twitter settles him,” Blitzer writes.
...moreAt the New Yorker, Ed Caesar interviews Anna Lyndsey, author of the memoir Girl in the Dark, about her mysterious light sensitivity that kept her in the dark for over a decade. Citing prominent dermatologists, Ceasar questions Lyndsey’s symptoms and explores the possibility that they were psychosomatic, a possibility Lyndsey herself dismisses: My situation was so extreme, rare and […]
...moreFor the New Yorker, Peter Moskowitz talks to poet Tommy Pico about anger, juxtaposition, and inheritance: He told me that he uses poetry to square two identities that don’t fit together well: being a poor, queer kid from the rez, and being a pleasure-seeking, technology-addicted New Yorker who would rather chase the boys he meets on […]
...moreFor the New Yorker, author Belle Boggs reflects on Italian writer Natalia Ginzburg’s collection of essays, The Little Virtues, and how the book influenced her own parenting philosophy. Boggs writes: The title essay considers what we should teach children—“not the little virtues but the great ones,” according to Ginzburg.
...moreOver at the New Yorker, Thomas Beller writes about reading Don DeLillo’s White Noise, with its opening move-in day scene on repeat, and the ways stories change when read again and again—even and especially presidential races and speeches, as with Bill Clinton’s speech at this past DNC.
...moreJonathan Van Ness discusses his podcast, Getting Curious with Jonathan Van Ness, fierceness, curiosity, and hairstyles.
...moreAdelle Waldman reviews Jay McInerney’s latest novel for the New Yorker: There’s no dodging the paradox at the heart of his career. Although his best books have never been merely lightweight eighties period pieces, the books set in that decade, and redolent of it, remain his strongest.
...moreAt the New Yorker, Amanda Petrusich writes an ode to Other Music, a New York City record shop that recently closed its doors after more than twenty years in business. For Petrusich, the store was more than a place to buy music; it was an important part of her personal history: My scramble for self-identity was tied […]
...moreThe New Yorker hosted a discussion about a previously unpublished Langston Hughes short story with Arnold Rampersand, who wrote a two-volume biography of the Harlem Renaissance poet, and first discovered the unpublished story thirty years ago. The story, “Seven People Dancing,” explores themes of sexuality and expression: I think that his cruelly comic, or comically cruel, […]
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