Words as Events: A Conversation with Jeff Wood
Jeff Wood discusses The Glacier, his genre-bending book combining novel, poetry, screenplay, and collage, how heritage has become a brand, and the American Midwest.
...moreJeff Wood discusses The Glacier, his genre-bending book combining novel, poetry, screenplay, and collage, how heritage has become a brand, and the American Midwest.
...moreWith Halloween a scant three days away, it’s the perfect time to curl up with some spooky fiction and get yourself delightfully creeped out. But this week’s story doesn’t rely on your standard witches and vampires and werewolves, all easily dismissed and cartoonish Halloween fare. No, this week’s story, “The Insurgent” by Nicholas Rombes, features ghosts […]
...moreI should say, rather than messed up, the novel reflected, in a distorted way the messed-up-ness of my life at that time. Rumpus contributor Nicholas Rombes is so fond of Joan Didion’s Play It As It Lays that he suggested to Colin Winnette that he read it. Find their discussion of the book over at Electric […]
...moreThe Columbus based indie publisher, Two Dollar Radio is expanding to the big screen! One of the first titles to be released from Two Dollar Radio Moving Pictures is The Removals, written by Rumpus contributor Nicholas Rombes and directed by Grace Krilanovich. Also, check out this trailer for another forthcoming release, The Greenbrier Ghost!
...moreRumpus contributor Nicholas Rombes is writing a twenty-year novel. What precisely does that mean? It means that the first pieces of the novel were published in 2009 as A Cultural Dictionary of Punk, and other published pieces will be collected into a Part I in 2019, and then still more pieces will be collected into a Part […]
...moreRumpus columnist Nicholas Rombes’s The Blue Velvet Project analyzes in marvelous depth 152 still frames from David Lynch’s classic arthouse film. The series, which originally appeared at Filmmaker magazine’s site, has been translated into Spanish as a book for Argentina’s Mar del Plata film festival. It’s called El Proyecto Terciopelo Azul, and Rombes will be […]
...moreRumpus columnist Nicholas Rombes served as today’s guest editor for London-based online magazine Berfrois. Rombes curated an array of excellent pieces, including Rumpus editor Isaac Fitzgerald’s “In Love in San Francisco,” Peggy Nelson’s “Short Attention Span Theater,” and two poems by John Freeman.
...moreRumpus columnist Nicholas Rombes explores the “Occupy zeitgeist” in 2011 cinema over at Filmmaker. Rombes reveals how films such as Drive, Meek’s Cutoff, Martha Marcy May Marlene, and Tree of Life, while seemingly “far removed” from the movement, “speak to Occupy anxieties of this past year.” “…It’s possible that films like Tree of Life somehow […]
...moreOur very own Nicholas Rombes’ story “Supernova” has been nominated for a Pushcart Prize! Congrats Nick!
...moreRumpus columnist Nicholas Rombes‘ latest project Do Not Screen is reviewed here. The piece explores Rombes’ take on film and what is “in between” the project’s process and result. “By leaving space for the time, Do Not Screen displays the gaps and preserves the possibility spaces. The ideal outcome may be something that is beautifully […]
...moreLet’s all take a minute to appreciate Nick Rombes and his attention-to-detail dedication to experimental film writing. IMDB gave his latest essay, “10/40/70 #37: Marnie” a much-deserved shout-out. If you haven’t gotten a chance to experience the Rombes screen shot treatment, this essay is a great place to start.
...moreOn the evening of July 27 I interviewed Megan Boyle over gchat. Rather than prepare questions or focus on a specific topic, we used Wikipedia’s “random article” link to go to pages to generate content for our conversation.
...moreOne of the enduring mysteries of American literature is a series of three letters drafted by Emily Dickinson to someone she called “Master.” There is no evidence that he letters—written between 1858 and 1862 and discovered shortly after Dickinson’s death in 1886—were ever sent, although they may have been drafts of versions that were posted. […]
...moreThis ongoing experiment in film writing freezes a film at 10, 40, and 70 minutes, and keeps the commentary as close to those frames as possible. This week, I examine Alien, directed by Ridley Scott (1979):
...moreA few years ago, when I was finishing up the final edits on Cinema in the Digital Age, a colleague and I got into a heated debate about a section of the book where I argued that some of the images and sequences in The Ring (Gore Verbinksi, 2002) were as visually radical and avant-garde […]
...moreThis ongoing experiment in film writing freezes a film at 10, 40, and 70 minutes, and keeps the commentary as close to those frames as possible. This week, I examine Machine Gun McCain, directed by Giuliano Montaldo (1969):
...moreThis ongoing experiment in film writing freezes a film at 10, 40, and 70 minutes, and keeps the commentary as close to those frames as possible. This week, I examine The Hitch-Hiker, directed by Ida Lupino (1953):
...moreAlex Smith lives in New York City, where he works as a homepage editor at MSN and as a freelance contributor for the New Yorker. During the interview, Alex drank a Kingfisher, and Rombes an Oberon. Some of Alex’s writing can be found at Flaming Pablum.
...moreJoseph Sullivan works as a user experience designer for a large trade association in Chicago. “A user experience designer,” he said, “used to be called an information architect. Someone recently defined the job as ‘building structures,’ and that’s about right. Another way to think about it: I try to represent the users of our websites […]
...moreThis interview with Jessica (Jeska) Dzwigalski was conducted at 11:00am PST via GMail chat on June 19.
...moreI have an admission to make. I’m one of those people who changes the subject whenever punk rock comes up. Don’t get me wrong. I like the music. But I refuse to memorize the name of the Sex Pistols’ first bassist, I don’t understand the difference between all the different sub-genres, and I’m always hoping no […]
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