For The Millions, Nick Ripatrazone explores Eyewear Publishing’s new anthology, The Poet’s Quest for God, and explains why poets “need God”: How do we discern a writer’s religious beliefs? When does the…
Twentieth century philosopher J.L. Austin asked in his writing what words and phrases could do in their utterance. In this tradition, Nick Ripatrazone examines Morgan Meis and Stefanie Anne Goldberg’s…
We burn old love letters and photographs to be reborn. The action of burning is often a process. Find a match or a lighter. Put the papers in a container…
The Millions staff writer Nick Ripatrazone examines literature that “embraces the power of radio” and highlights the sounds of language: Radio is elegiac. Radio is the theater of the mind: our eyes…
Over at The Millions, Nick Ripatrazone asked some authors, including William Giraldi and Christa Parravani, which were the books that defined their childhoods and, subsequently, their writing imaginations.
Nick Ripatrazone on why writers need to run: While on sabbatical in London in 1972, a homesick Oates began running “compulsively; not as a respite for the intensity of writing…
Over at The Millions, Nick Ripatrazone dives into John Cheever’s “The Swimmer,” a story with well-deserved fame in the literary community, exemplary of Cheever’s style and a perfect read with which…
(n.); simultaneous movement of eyes toward or away from one another; c. 1902 in ophthalmology “Some days I can move the mower slowly, along lazy paths. … On other days,…
“No matter whether it is called an introduction, foreword, or preface, the best front piece written by the book’s own author encourages a reader to turn the page and start,…