Nigeria
-
A Spirit Born into a Human Body: Talking with Akwaeke Emezi
Akwaeke Emezi discusses her debut novel, Freshwater, her public and private identities, and deciding when to translate culture for readers.
-
VISIBLE: Women Writers of Color: Faith Adiele
Faith Adiele discusses what it means to be a good literary citizen, the importance of decolonizing travel writing, and how she wants to change the way Black stories are being told.
-
Love Thy Neighbor: Talking with Yewande Omotoso
Writer, poet, and architect Yewande Omotoso discusses her second novel, The Woman Next Door, Cape Town’s haunting beauty, and mythologies about motherhood.
-
“Language Orthodoxy,” the Adichie Wars, and Western Feminism’s Enduring Myopia
Adichie is far more significant than her accusers seem to know.
-
Lesley Nneka Arimah’s Characters Muscle Their Way through Girlhood
In our current political climate with its rampant animosity towards immigrants, Arimah offers a humanizing portrait of both the Nigerian citizen and first generation young female immigrant.
-
VISIBLE: Women Writers of Color: Abeer Hoque
Abeer Hoque talks about coming of age in the predominantly white suburbs of Pittsburgh, rewriting her memoir manuscript ten times, and looking for poetry in prose.
-
This Week in Essays
For the Passages North blog, Jennifer Maritza McCauley discovers a connection to Rosa Parks and goes to Alabama in search of answers. Can you go home again to a place you’ve never been? Enuma Okoro writes for Aeon on moving to Nigeria…
-
The Rumpus Interview with Yaa Gyasi
Yaa Gyasi discusses her debut novel Homegoing, growing up in Alabama, the multiplicity of black experiences, the legacy of slavery, and her writing process.
-
Writing to Live
Nigerian author Ben Okri reflected on his prize-winning novel, The Famished Road (1991), in the Guardian, saying that he wrote it to find reasons to live. The book, he writes, drew heavily from strange stories his mother told him and his father’s…
-
The Writing Life in Nigeria
A new essay by Nigerian author A. Igoni Barrett (Love Is Power, or Something Like That and Blackass) highlights the ways poverty and struggle work against those in Nigeria who would be writers: I found nothing there for me [at…
