Why is it not a memoir, people will ask. I tell more truth in fiction, you might say. Alexander Chee gives step-by-step instructions on how to write an autobiographical novel,…
The critic giveth and he taketh away. In his review of Better Living Through Criticism, Jonathon Sturgeon counters A.O. Scott’s aversion to the idea of the critic as parasite: Maybe…
Things in my own life that make me want to write about them are often things that are unresolved. And I use writing to figure them out. Memoirists Meredith Maran,…
I was a kid. In many ways, I’m still a kid, trapped in the extended adolescence of the post-irony, post-sincerity millennial era; I came of age in America under the…
Backlist is a new service meant to connect readers and students to curated lists of history books put together by scholars. The site’s founders solicit book lists and recommendations from scholars…
Sandra Cisneros, author of The House on Mango Street, talks about her new memoir, A House of My Own, living in a post-9/11 era, and the necessity of heartbreak.
Increasingly, a writer needs an access point, a micro-focus, a close-up lens—even a gimmick: one small story through which larger historical truths can be elucidated anew. For the Los Angeles…
How does an essay comes to its final shape? What’s the morphology of nonfiction’s popular form? Over at the Ploughshares blog, E. V. De Cleyre dissects works by Ander Monson, Claudia…
Janice Erlbaum talks about her new novel, I, Liar, how writing memoir compares to writing fiction, homelessness in America, and Munchausen syndrome and Borderline Personality Disorder.
Geoff Dyer, author of numerous nonfiction titles, discusses the increasingly blurry border between fiction and nonfiction—and more importantly, whether that distinction matters—at the Guardian: As the did-it-really-happen? issue gives way to questions…