Leave what you can, take the rest: An Interview with Idra Novey
Every day you have to abandon your past or accept it, and then, if you cannot accept it, you become a sculptor.
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Join NOW!Every day you have to abandon your past or accept it, and then, if you cannot accept it, you become a sculptor.
...moreThe amount of pressure on young men still to get on with it and to bottle it up and to be strong and be certain is overwhelming. And it shows in the UK. The suicide rates for men are so high. It’s a mental health issue. We don’t allow men to express themselves or talk about their vulnerability, and we blame them for a lot; we get to that phrase “toxic masculinity” really quickly. I don’t believe masculinity is always toxic, I just think sometimes it’s very unhealthy and we need to examine it and open it up.
...moreRather than work being a place to follow your dream, or make a difference, it’s the place you work because you have to figure out a way to pay your rent.
...more“Poem and I are better at sex than you two,” said the short story accurately. “We get in. We get out. Boom. Done.”
...moreLaura Munson discusses her first novel, WILLA’S GROVE.
...moreKristen Arnett discusses her new novel, MOSTLY DEAD THINGS.
...moreIn Kris D’Agostino’s second novel, The Antiques, he returns to familiar forms: A dysfunctional family whose members are in various stages of arrested development; a generational home in upstate New York; and the absurdity of life in its most darkly comedic moments. Here, the three grown (yet hardly mature) children of the Westfall family reunite […]
...moreClarence Major discusses his new collection Chicago Heat and Other Stories, the artist’s role in politics, Donald Trump and race relations, and Paris in the good old days.
...moreRobert Glancy discusses his sophomore novel, Please Do Not Disturb, growing up under a dictatorship, borrowing and stealing from reality, and his love of proverbs.
...moreLucy Jane Bledsoe discusses her latest book, A Thin Bright Line, uncovering the remarkable story of her aunt, and illuminating history through the lens of imagination.
...moreMicah Perks talks about her new novel, What Becomes Us, America’s cultural and mythical heritage, and why every novel is a political novel.
...moreAndré Alexis discusses his latest book The Hidden Keys, puzzles, chance, divinity, and the Toronto literary community.
...moreCarolyn Parkhurst discusses her latest book, Harmony, writing about your personal life and family in fiction, and her fascination with cults.
...moreEsmé Weijun Wang discusses her first novel, The Border of Paradise, about a multi-generational new American family, creative expression through writing and photography, and interracial relationships.
...moreI met one of my favorite writers before she ever published a single story. We were classmates vying for our MFAs in Creative Writing from Florida International University and would smile at each other from across the room. She was shy, but never defensive, in workshop and always strove, really made the effort, to answer […]
...moreJane Alison discusses her autobiographical novel, Nine Island, the value of truth in fiction, and unsubscribing from romantic love.
...moreBrit Bennett discusses her debut novel The Mothers, investigating “what-if” moments, and navigating racism in white spaces.
...moreMax Porter discusses his debut novel, Grief is the Thing with Feathers, literary genres, and the changing roles of editors.
...moreLeland Cheuk discusses his novel The Misadventures of Sulliver Pong, dark humor, cancer, morally corrupt characters, and his mother.
...morePaula Whyman discusses her debut collection You May See a Stranger, discovering truth in fiction, and how memory interferes with good storytelling.
...moreI find tremendous hope in the act of storytelling—the way we can redirect energy, to reclaim history, to build back lives that have been otherwise upset.
...moreRebecca Johns reviews Neon Green by Margaret Wappler today in Rumpus Books.
...moreCharles Bock discusses his new novel, Alice & Oliver, the challenges of writing from experience, and how art and life can mirror one another.
...moreKeith Lee Morris discusses his latest book Traveler’s Rest, Lewis and Clark, and how writing a novel about dreams requires much more than sleep.
...moreSunil Yapa discusses his debut novel, Your Heart is a Muscle the Size of a Fist, radical empathy, growing up surrounded by politics, and losing the first draft of his novel in Chile.
...moreI don’t want to waste readers’ time with a several hundred-page novel that’s not relevant to the wicked problems we’re facing today.
...moreAuthor Bradley Somer discusses his latest book, Fishbowl, troublesome words, his past in archeology and anthropology, and the importance of the present moment.
...moreNovelist Bud Smith talks about his new book, F-250, working construction and metalworking, finding writing after his friend’s death, and crashing his car over and over again.
...moreDan Torday talks about his novel, The Last Flight of Poxl West, the role of fear in fiction, the fabrication of facts in a memoir, and about being “constitutionally unoffendable.”
...moreIn Rainey Royal, Landis explores the boundaries between sexual object and subject, victim and agent. Over at Salon, Eliza Berman reviews Dylan Landis’ latest novel Rainey Royal going deep into its accurate depiction of teenage sexuality. Curious, now? You can read an excerpt from “Rainey Royal” at Midnight Breakfast.
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