Posts Tagged: NYRB

Vocabulary Lessons in Bucharest

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I felt unhinged in my moments of isolation, and frustrated in my muteness.

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Literature Tricks or Political Threats?

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So familiar have the aesthetic conventions of horror become that it is increasingly difficult to distinguish “real” Halloween movies from parodies. Something similar has occurred in our political life. At the New York Review of Books, Christopher Benfey shares a brief history of collisions between humor and horror in Western literature (and American politics).

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Into Paradox

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Over at the New York Review of Books, Peter E. Gordon writes about Søren Kierkegaard’s legacy through the lens of Daphne Hampson’s biography, Kierkegaard: Exposition and Critique, which she dedicates to S.K. for helping her grasp “with greater clarity why I should not wish to be Christian.”

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Sex and Social Media

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Over at the New York Review of Books, Zoë Heller writes about American Girls by Nancy Jo Sales and Girls and Sex by Peggy Orenstein: how each book deals with the concepts of female “hotness” and body positivity in the social media age—as well as her own critiques of books that may fall within the genre […]

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Darryl Pinckney

The Saturday Rumpus Interview: Darryl Pinckney

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If your family or your people are looking over your shoulder, change your seat or push them away. Ask them to trust you with the truth.

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Baldwin’s Paradoxes and Epithets

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Race was—is—the fundamental American issue, underlying not only all matters of public policy (economic inequality, criminal justice, housing, education) but the very psyche of the nation. Nathaniel Rich, for the New York Review of Books, writes a loving tribute to and overview of the works of James Baldwin: the intellectual as impossible to be pinned […]

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Lorrie Moore on Wisconsin and Steven Avery

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Lorrie Moore writes an extensive ode to her weird home state of Wisconsin, and its newest national sensation, the Netflix documentary series Making a Murderer. The well-acclaimed Wisconsin author’s viewpoint on the series and its setting is interesting, to say the least, and well-deserving of its patented Lorrie Moore Exclamation Points.

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Literary Beef: Epistolary Punches Thrown over A Little Life

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Hanya Yanigihara’s A Little Life has prompted anguished tears from many a reader—and now, is stoking emotional fires (and a few good burns) in a space that doesn’t often feel impassioned heat: the Letters to the Editor section at the New York Review of Books. After a scathing review by Daniel Mendelsohn, Doubleday’s executive editor […]

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The Continuing Struggles of Mexican-Americans

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For many Mexican-Americans, Trump’s campaign is nothing new. It fits within repeating cycles of attraction and rejection for Mexican immigrants in this country and connects with a long history of challenges that citizens of Mexican descent have faced to their place in the society. At the New York Review of Books, Julia Preston discusses the […]

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Patti Smith’s “Obsessively Literary” New Memoir

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Over at the New York Review of Books, Geoffrey O’Brien discusses iconic poet and punk-rocker Patti Smith’s new memoir, M Train: What the book expresses supremely well is the tentativeness of every movement forward, the sense of following a path so risky, so sketchily perceptible, that at any moment one might go astray and never be heard […]

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The Lobster, or a Critique of Circe’s New Dating App

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In a world where no romantic attachment meant you were turned into an animal, which creature would your lonely self choose? Francine Prose, author of Bullyville, Blue Angels, and many others, writes about the strange, wholly imagined parallel worlds of Yorgos Lanthimos, whose new movie The Lobster premiered at the New York Film Festival in August.

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The National Book of America, According to Borges

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The English tend to be reserved, reticent, but Shakespeare flows like a great river, he abounds in hyperbole and metaphor—he’s the complete opposite of an English person. Or, in Goethe’s case, we have the Germans who are easily roused to fanaticism but Goethe turns out to be the very opposite—a tolerant man… It’s as if […]

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