What is lost still has substance, is malleable, can take on new impressions, and be molded again to our experience, often resulting in the most lasting force that determines how we see the world.
Using Anne Garréta’s 1986 novel, Sphinx, as a springboard, Stephanie Hayes explores the superpowers of gender-blank characters for the Atlantic. Sphinx’s recent translator, Emma Ramadan, describes how what began as an…
At the Ploughshares blog, Lara Palmquist discusses Ouvroir de Littérature Potentielle (The Workshop of Potential Literature), or Oulipo, a collective of mathematicians and writers who have been creating works of…