A Perfect Sketch of a Moment: Janet Malcolm’s Still Pictures
“Memory is not a journalist’s tool. Memory glimmers and hints, but shows nothing sharply or clear.”
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Join NOW!“Memory is not a journalist’s tool. Memory glimmers and hints, but shows nothing sharply or clear.”
...moreThe aestheticization of violence in literature, like other representations, can be deceiving.
...moreSummer was ending, and my sister was shrinking. I first noticed when we were sitting on the dock near the lake at our summer camp; as she stretched her bare leg toward the water, I saw a new striation of musculature in her calf, a ridge that didn’t used to be there. Atop her denim […]
...moreTo be imbricated in hundreds of years of colonial violence is to be entangled in colorist logics and stories of loss and belonging that are rarely linear or singular.
...moreTo have lost, found, and then lost again seems especially wrenching, a kind of unmothering.
...moreAn illustrated review of David Benjamin Sherry’s new book, AMERICAN MONUMENTS!
...more“As a writer, to describe even perils can be a form of hope.”
...moreSuchitra Vijayan discusses her new book, MIDNIGHT’S BORDERS.
...moreI wonder, then, what it is to die. Perhaps to die is a matter of location.
...moreAn exclusive look at the cover of Joy Castro’s forthcoming novel, FLIGHT RISK.
...moreMegan Culhane Galbraith discusses her debut book, THE GUILD OF THE INFANT SAVIOUR.
...moreAdrienne Christian discusses her newest collection, WORN.
...moreAn exclusive look at the cover of Michael Lowenthal’s forthcoming story collection, SEX WITH STRANGERS.
...moreI lived there, suspended in the moment before I chose to move.
...moreIt’s hard to see what isn’t there.
...moreI surprised myself by reading Memory in an afternoon.
...more“[I]t is an itch that needs to be scratched. To test. To push. To prove to myself.”
...moreThe speaker must believe in transience, in shapeshifting without permission.
...more“A poem cannot exist without form or structure, just like the human body can’t operate without a skeleton.”
...moreIt took all of the world’s beauty for me step forward, once more.
...moreElizabeth Geoghegan discusses her debut story collection, EIGHTBALL.
...more“I wanted it to feel like it was done with urgency because it was.”
...more“I see objects and things as reliquaries that can hold stories.”
...moreEverything is political. To believe otherwise is a form of willful ignorance.
...more“I want to always fight for art, not against it.”
...moreTsitsi Dangarembga discusses her new novel, THIS MOURNABLE BODY.
...moreThe ocean is deep, unfathomably so. And one can stay on the surface or keep on plumbing the depths.
...moreQuintan Ana Wikswo discusses her novel, A Long Curving Scar Where the Heart Should Be, delving into the facets of trauma, and her creative processes.
...moreRolff Potts discusses his new book, Souvenir, the mythological element of souvenir collecting, and the inevitability of mortality.
...moreRachel Lyon discusses her debut novel, Self-Portrait with Boy, artistic communities, the quotidian nature of the supernatural, and hyper-gentrification.
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