Robert Minto examines selections from Homer’s Iliad to discover why some language and rhetoric misses its mark while other characters’ “winging words” achieve their purpose.
Keith Waldrop is a quiet major poet, a major poet of quiet. His accomplishment is difficult to describe because his work refuses, in Bartleby-like fashion, the twin traps of impassivity…
One of the thrills of being a writer is becoming aware of the wildness that percolates inside of you. If you’ve learned to listen, you’re able to hear it.
Campbell McGrath talks about his new collection, XX: Poems For The Twentieth Century, capitalism, history, and what it might mean to write a wordless poem.