Dear Reader, For the past year, we, Aziza Barnes and Nabila Lovelace, The Founders of The Conversation, debated how we could create space for folk we love, whose work is critical, in…
Over at Harriet, Uche Nduke writes full-throttle praise and rich description of three poets who influenced him, Norman Fischer, Andrew Levy, and Lewis Warsh. Nduke’s own writing is anchored by…
Emily Dickinson continues to appeal to literary critics fascinated by her poetry’s terse and alarming emotional breadth. Many biographies attribute her emotional poetry to a sense of agoraphobia, but at…
I’m interested in Roland Barthes’s idea that mythology is essentially a type of speech, and that speech defines a culture. Poetry can define the dominant languages we have in culture—and…
For Guernica, Jen Karetnick interviews dancer Natica Angilly about dance poetry, its meaning, and how she became involved in it: Natural, developed, and studied efforts to share our singular and group…
Robyn Schiff talks about her collection A Woman of Property, the long con of “owning” land, her passion for early novels, how motherhood changed her poetry, and the generative powers of form.
Most writers have imagined the scene of their own death—in the hopes of stylizing the moment or savoring the thought of someone sifting through and publishing their old manuscripts. It…
Famous people are of course the repositories for the hopes, dreams, and shames of the non famous. Arielle Greenberg, editor of Rumpus series (K)ink: Writing While Deviant, writes searchingly about herself,…