poetry
-
The Rumpus Poetry Book Club Chat with T. R. Hummer
The Rumpus Poetry Book Club chats with T. R. Hummer about his poetry collection Ephemeron.
-
Why I Chose Amy Newman’s Dear Editor for the Rumpus Poetry Book Club
Rumpus Poetry Editor Brian Spears on why he chose Amy Newman’s Dear Editor as the December selection of The Rumpus Poetry Book Club:
-
O Circular Philosopher
The field is integral, too, to Dan Beachy-Quick’s Circle’s Apprentice—the field of vision, field of the empty page and of the populated page, field of self/ body/maker, absence of field. It is from these fields that Beachy-Quick enters into a…
-
You Weren’t Born By Yourself
In Touch, Cole once again breaks into new territories of form, subject, and voice, channeling pleasure and pain into a collection of poems that triumphs in the face of their inseparability.
-
Artificial is the Only Way to Fly
For anyone interested in the book-length poem or the potential issues that arise from combining science and capitalism, The Odicy is well-worth the time.
-
Curbside Haiku
More than 200 colorful, haiku-ed signs will grace high-crash locations around NYC as part of the city’s “Curbside Haiku” safety initiative. John Morse is the poet and artist behind the signs (some of which you can view in their digitized…
-
The Flame an Upright Leaf
Grappling with the problems of an adolescent entering adulthood in a society skewed by violence and oppression, Adam Foulds’ narrative poem is an intellectual, visual, and sensual triumph.
-
No Dazzled Salamanders
This… collection offers a world where narrative, grammar, and logic all come and go, rising up familiarly for a few lines then dispersing again, something thrilling and unrecognizable in their place.
-
The Rumpus Poetry Book Club Chat with Claire Kageyama-Ramakrishnan
The Rumpus Poetry Book Club chats with Claire Kageyama-Ramakrishnan about her poetry collection Bear, Diamonds and Crane.
-
You Tell Me Its Underpinnings
Davis maintains a deep engagement with, and investigation of, the world around her. She is able to immerse herself in the newness of things by seeing them through children’s eyes, and describes what she sees with a lovely freshness and…
-
The Memory of a Coin
Alliterative poems dually titled with different years provide each of the book’s two parts with bones to an otherwise fleshless narrative. Placed upon the page like fossils for an extinct skeleton, the poems succeed in bearing their own significant weight.