poetry
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HORN! REVIEWS: The Barbarous Century
HORN! Reviews shares a beautifully illustrated review of The Barbarous Century by Leah Umansky.
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An Invisible World: Tomas Tranströmer’s The Half-Finished Heaven: Selected Poems (Expanded Edition)
The poem, [Tranströmer] seems to say, doesn’t have to carry every burden of its poet’s heart. It doesn’t need to speak out loud, either.
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Rumpus Original Poetry: Two Poems by Elizabeth Lindsey Rogers
& suddenly we seemed to know nothing // but the evaporating world, / not one of us fit // to last.
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Making Sense of the World: A Conversation with Dessa
Dessa discusses her recently released album, Chime, where she stands on the intersection of poetry and performance, and self-care for busy artists.
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This Most Vulnerable of Houses: Fady Joudah’s Footnotes in the Order of Disappearance
These poems, poised at the intersections of the material, the metaphorical, and the spiritual, fold into and out of one another as their boundaries dissolve with question after question.
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The Rumpus Mini-Interview Project #125: Tyree Daye
“I think if you are really doing the work, you can’t write about America and not explore race and slavery, and that goes for any writer.”
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The Rumpus Poetry Book Club Chat with Eloisa Amezcua
Eloisa Amezcua discusses her collection From the Inside Quietly, bilingualism in poetry, and the connection between whiteness and yeast infections.
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People and Poetry: A Conversation with Kim Fu
Poet and novelist Kim Fu discusses her new novel, The Lost Girls of Camp Forevermore, how poetry impacts her fiction, and the expectations that accompany a book about lost children.
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Rumpus Original Poetry: Two Poems by Carolina Ebeid
All the horrible days arriving—listen— / the children stretch their spans // before tombstones practicing fame pretending corpse-life
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Why I Chose Shara Lessley’s The Explosive Expert’s Wife for the Rumpus Poetry Book Club
Here’s what we’re reading in our Poetry Book Club next month!
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Wide-Eyed and Awed: Keegan Lester’s this shouldn’t be beautiful but it was & it was all I had so I drew it
Lester often weaves past and present, the personal and the vast into one poem, leaping between these seeming opposites.
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Language Is Sensational: A Conversation with Eileen G’Sell
Eileen G’Sell discusses her debut collection, Life After Rugby, how and why she chose her book’s title, and challenging gender categories.