Patrick Madden teaches writing at Brigham Young University and is the author of the essay collection Quotidiana. His essays frequently appear in literary magazines and have been featured in The Best…
If you can grope your way through late James, you’ll find you have moved out of the Victorian era into the modern and, beyond that, into what we have come…
Carol is a powerful woman with enviable self-knowledge, effortlessly creating an erotic, sensual ideal of herself as a covert spectacle for queer midcentury women.
If Franzen is our genius realist, and DFW our genius postmodernist — how might they meld irony and sincerity? In an excerpt over at Salon from his new book, Keep It Fake:…
Paul Thomas Anderson’s Inherent Vice is a light neo-noir comedy, just like the Pynchon novel that inspired it. Despite our eagerness to overanalyze film adaptations of complicated books, Katie Kilkenny…
For Flavorwire, Jonathon Sturgeon declares 2014 the year that the postmodern novel died and the year that autofiction—a “new class of memoiristic, autobiographical and metafictional novels”—rose to take its place.