An Elaborately Constructed Artifice: Maxwell’s Demon by Steven Hall
Slipstream may as well be what we call our bewilderment.
...moreBecome a Rumpus Member
Join NOW!Slipstream may as well be what we call our bewilderment.
...moreWhat a fitting end to the postmodern literary experiment. Or are we just getting warmed up?
...moreMake it new, the modernists said. But how to rebuild the living body?
...moreBen Gwin discusses his debut novel, Clean Time: The True Story of Ronald Regan Middleton, the book’s unique structure, and writing satire.
...morePatrick Madden teaches writing at Brigham Young University and is the author of the essay collection Quotidiana. His essays frequently appear in literary magazines and have been featured in The Best Creative Nonfiction and The Best American Spiritual Writing anthologies. He pays close attention to the details of the every day, infusing humor and self-deprecation, combining […]
...moreIf you can grope your way through late James, you’ll find you have moved out of the Victorian era into the modern and, beyond that, into what we have come to refer to as the postmodern. Over at the Smart Set, Paula Marantz Cohen makes the argument that the difficult, late-period Henry James was “too […]
...moreI started thinking about additional, more slantwise ways we might talk about his legacy. What if I organized a bunch of guitar players?
...moreI once, years ago, sat next to a colleague at a premiere, and as the lights dimmed I whispered, “Why do I do this to myself?” And yet, I persist.
...moreCarol is a powerful woman with enviable self-knowledge, effortlessly creating an erotic, sensual ideal of herself as a covert spectacle for queer midcentury women.
...moreIf Franzen is our genius realist, and DFW our genius postmodernist — how might they meld irony and sincerity? In an excerpt over at Salon from his new book, Keep It Fake: Inventing an Authentic Life, Eric G. Wilson talks irony, realism, postmodernism, David Foster Wallace, and Jonathan Franzen.
...morePaul Thomas Anderson’s Inherent Vice is a light neo-noir comedy, just like the Pynchon novel that inspired it. Despite our eagerness to overanalyze film adaptations of complicated books, Katie Kilkenny warns us not to take this one too seriously: Inherent Vice inherently rewards only half-serious analysis… Semiotics nerds, who so love Pynchon, might call the […]
...moreFor Flavorwire, Jonathon Sturgeon declares 2014 the year that the postmodern novel died and the year that autofiction—a “new class of memoiristic, autobiographical and metafictional novels”—rose to take its place.
...more“All literature is interactive,” [Scalia] writes, countering those who find special danger in violent video games because of their interactivity.
...more