The Past Is All We Have: André Aciman’s Homo Irrealis
Is it not in the warm chambers of the past, after all, that we are immortal, invincible, and alive?
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Join NOW!Is it not in the warm chambers of the past, after all, that we are immortal, invincible, and alive?
...moreDavid Adjmi discusses his new memoir, LOT SIX.
...moreTo read Amina Cain is to enter tide pools of the mind.
...moreElisa Gabbert discusses her newest book, THE WORD PRETTY.
...moreSigrid Nunez discusses her seventh novel, The Friend, her fondness for writing about animals, and the ways the literary world has changed.
...moreElif Batuman discusses her new novel The Idiot, what it means to be a writer, and the artifice of language.
...moreThis Tuesday was, by no means, a good news day. The night before was the tragedy in Manchester, England, at which a suicide bomber killed children at a pop concert. But, sad as it is, that is not the story that moved me, on this beautiful Tuesday, to tears. I care, but at this point […]
...moreIt is about the essential parts of story. The bones. The steel rods and rings. The skin that goes white with tension. Tolerating that kind of discomfort takes practice, yes, but it is exhilarating.
...moreLaurie Sheck is the author, most recently, of Island of the Mad, and A Monster’s Notes, a re-imagining of Mary Shelley’s Frankenstein. A Pulitzer Prize finalist in poetry for The Willow Grove, she has been a Guggenheim Fellow, as well as a fellow at the Radcliffe Institute for Advanced Study at Harvard, and at the […]
...moreThe way I think about my writing is similar to the way I think about my kink—both have to do with history and the ethics around appropriation.
...morePoet and Pulitzer Prize winner Gregory Pardlo discusses the reverence for poetry found in other cultures, how he strings a book together, and the future of American poetry in light of our national crisis.
...moreAt The Millions, J.P. Smith describes the singular effect that Marcel Proust has had on his growth as a writer: This isn’t a rambling, stream-of-consciousness book of memories lost and found; it’s a novel with a subtle and solid architecture, where in its last volume, Time Regained, the shape of the work comes finally into focus.
...moreDo you love this shit? Are you high right now? Do you ever get nervous? Quizzes are everywhere these days, from meandering author interviews to hard-hitting investigations to exactly which Disney princess corresponds to your introverted spirit animal. Read about the now-ubiquitous model’s Proustian origins over at the New Yorker.
...moreWe squinted into the smoky room and saw ourselves on junior year abroad, frolicking on the Left Bank with artists in berets like hers.
...moreMake sure no one else is awake. Turn off the lights. Your windows can stay open. Now turn on your phone and begin reading. Repeat as necessary each night. Do not stop until the very last word of the very last volume. For the Atlantic, Sarah Boxer recounts the unexpectedly Proustian experience of finally finishing In […]
...moreKeith Lee Morris discusses his latest book Traveler’s Rest, Lewis and Clark, and how writing a novel about dreams requires much more than sleep.
...moreGarth Greenwell discusses his debut novel, What Belongs to You, crossing boundaries, language as defense, and the queer tradition of novel writing that blurs boundaries between fiction and essay and autobiography.
...moreFor The Millions, Hannah Gersen recalls past attempts to read Proust’s In Search of Lost Time, and explains why she came up short. The essay also serves as an announcement for a new series, in which Gersen will once again attempt to tackle Proust and write monthly posts about her impressions.
...moreWhat is it Ferrante has that American fiction lacks?
...moreFor nearly ten years I had lain beside him: the snoring was a blow, but, looking back, it was also a necessary portent, an etch in our story, the fuzzy spot on a picture frame you can’t tell is from the photograph aging or a fingerprint that left its caressing mark on the glass.
...moreAt the Guardian, novelist Julian Barnes shares his experiences developing a taste for art during his childhood, and how modernism worked to change his early impressions of what art could be. In addition, he offers insight as to how modernist art has come to influence his work, as well as the works of Flaubert and […]
...moreFor Flavorwire, Jonathon Sturgeon works to define “contemporary” literature and wonders where Karl Knausgaard’s My Struggle fits into the mix. What he ultimately argues is that contemporary literature is often “project based,” and that Knausgaard’s self-exploratory novel is the most definitive example of this kind of work in recent times: Not only does the title My Struggle claim for Knausgaard the […]
...moreIn a culture where everything is assigned a market value, imagination isn’t in high demand. Over at The Millions, Chloe Benjamin wonders why some of imagination’s most vivid manifestations—dreams and fiction—fall so low on our priority list: But in the absence of conclusive evidence, sleep’s utility—like that of fiction—is still in doubt. How much, in […]
...moreAt The New Republic, Esther Breger takes a look at literary self-help books, including How Proust Can Change Your Life and Give War and Peace a Chance.
...moreFor the Boston Review, Leland de la Durantaye assesses the latest edition of Proust’s Swann’s Way. Writing more than just a book review, Durantaye outlines some of Proust’s early struggles, as well as his lasting legacy, and delves into the finer points of the art of translation.
...more“When writing a book once about the Dalai Lama, I was startled to realize that the very core of one of his lessons was expressed for me by none other than the pampered-sounding Frenchman, who notes, at the very beginning of his final volume, as if to put things in perspective, “For in this world […]
...more“It feels like cheating,” Larissa Pham says in a Gawker essay titled “In My Shopping Cart,” “to write about culture by writing about food.” But it reads like anything but cheating. Pham wheels us through the grocery aisles of her memory, pointing out the Vietnamese food her family made with American ingredients, childhood treats with […]
...moreProust left out one important detail: the recipe. And no one ever asked him for it. We all know the famous passage of Marcel Proust’s “Remembrance of Things Past” in which the author’s mind flies back to childhood after tasting a madeleine dipped in warm tea. What we don’t know is: how exactly was a […]
...moreLike Proust, David Mitchell examines how the incidents of a person’s life fit together, how the different parts of the world come to form one world.
...moreWriting and reading does me a lot of good because it acquaints me with death in totally vicarious ways. Which is good, because I love life more than I know what to do with. Often in what I write, there’s lots of dying and disease and misfortune and sorrow. And this isn’t because that’s what […]
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