The Rumpus Mini-Interview Project #168: Keir Graff
“I’ve always loved collaboration. It was so exciting, because I love the energy. ”
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Join NOW!“I’ve always loved collaboration. It was so exciting, because I love the energy. ”
...moreLaura Albert discusses her alter ego JT LeRoy, Jeff Feuerzeig’s documentary Author: The JT LeRoy Story, her complicated relationship with her mother, and life as a hustler.
...moreMy point is that she’s a bit of a paradox. Over at McSweeney’s, Amy Watkins explains why George Eliot has every right to be really, really upset.
...moreAt Lit Hub, Tobias Carroll explores the history of authors using pen names, and what happens when these pseudonyms take on their own persona: Under the best conditions, they can add another wrinkle to certain literary works; under the worst, they can amplify already-problematic conditions. Personas can be a kind of alter ego; they’re also […]
...moreAlexander Chee writes for LitHub on Elena Ferrante’s pseudonymous, social-media-free existence and the choices other authors have made to dis/engage with social media at points in their careers: Ferrante’s anonymity is something of a feminist project, also. No one is able to talk about her appearance. No one can decide if she is a good […]
...moreThe London Review Bookshop has published a letter pseudonymous writer Elena Ferrante wrote to her publisher before the publication of her first novel in 1991 that sort of explains why she wants to remain anonymous: I’ve already done enough for this long story: I wrote it. If the book is worth anything, that should be […]
...moreThe process of selling writing can do funny things to people, like the male authors writing under female pseudonyms. Catherine Nichols went the other way, taking on a male persona to sell her novel: I sent the six queries I had planned to send that day. Within 24 hours George had five responses—three manuscript requests […]
...moreSometimes privilege can be confusing. Over at the Guardian, male writers explain why they decided to publish under female pseudonyms: Does it help to be identified as a woman, or to have no gender at all? Someone needs to tell these guys they’ll only get 78 cents to the dollar.
...moreBack in the day, many writers adopted a pen name to “tell the truth without fear.” For some contemporary writers (e.g. J.K. Rowling/Robert Galbraith or the enigmatic Elena Ferrante), writing under a pseudonym is still liberating. But are pseudonyms going out of style? The Guardian investigates recent trends.
...moreThe true identity of Italian novelist Elena Ferrante invites much speculation, especially in light of her recent nomination for Italy’s most prestigious literary award. But for Ferrante, the decision to write in the shadows may be a liberating one. The Guardian explores why Ferrante may have decided to remain anonymous.
...moreAuthors sometimes choose pseudonyms for marketing purposes or in order to rebrand themselves after some catastrophic career decision. Sometimes, they just want anonymity. In the case of Sarah Hall (the journalist), because another Sarah Hall (the Man Booker-shortlisted author) had already published a number of books under her given name, the former was left with […]
...moreWhat happens when a book is shortlisted for the Orwell prize and its author chooses to remain pseudonymous? Possibly, the beginning of a new canon. “Strictly speaking this isn’t anonymity but pseudonymity – and while whole books have been written about Anon (not least by the Guardian’s own book club supremo John Mullan), less is […]
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