Beauty Undercut by the Possibility of Terror: Afterland by Mai Der Vang
Precariousness is an essential condition of life for the people who populate Vang’s poems, especially the Hmong refugees on whom the poet’s eye most lovingly lingers.
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refugees
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TORCH: My Father’s Mansion
I love the United States, too. Like a house I was raised in, though, I know it up close and can spot its many fissures.
Swinging Modern Sounds #81: On Cultural Preservation
The Lost Boys had their moment in the media, but these people, these survivors, not boys at all and not lost now either, are still here, living lives, growing and changing and thinking and reflecting.
On Speaking Plainly: A Conversation with Rajith Savanadasa
Rajith Savanadasa discusses his debut novel, Ruins, writing across oceans, and the chance encounter with refugees that led to the story at the heart of his novel.
Haunted by Child Refugees: Valeria Luiselli’s Tell Me How It Ends
These aren’t ghosts; these are children who have braved a perilous journey to escape the violent nightmares back home.
All Writing Is Political: A Conversation with Mohsin Hamid
Mohsin Hamid discusses his new novel, Exit West, hope in fiction as a form of resistance, the necessity of learning to accept social change, and how much America and Pakistan have come to resemble each other.
Family Is the Deepest Scar: Minae Mizumura’s Inheritance from Mother
With each word, I found myself thinking of my own grandmother’s journey, escaping war to America with no money, no education, and six children, the pain of this experience inevitably hardening the whole family.
TORCH: Blood Trauma
But still: A pattern. The trauma had been diluted by time. But, it was still present, still discernible, in my blood.
The Read Along: Neda Semnani
I picked up The Odyssey because I wanted to read about wanders and refugees. A story about a man who takes a decade to get home and is on a quest for safety seemed like a good place to start.
The Rumpus Interview with Viet Thanh Nguyen
Viet Than Nguyen discusses his story collection The Refugees, growing up in a Vietnamese community in San Jose in the 1980s, and the power of secondhand memories.
TORCH: Growing Season
I ask Hussein if he’s proud of the work he’s doing. He says that he is. We stop talking. For a moment, the market feels like peace.
We Brown Women
Our bodies will not be your banners. We are not yours to use and abuse, we are not yours to dupe. We see through your words, and we see your violence.