There is no way to classify a response to pregnancy. It is what it is, which is why people find consolation in naming their phantoms. In this case, the phantom is named Catalpa.
I can’t help but wonder what if, in detangling love stories and our relationships to them, Catron is building yet another narrative—an anti-narrative, perhaps—of love.
Ending a relationship is hard, but it’s not as hard as quitting an institution. And the thing we often forget about marriage is that it is an institution.
Over the song, for the first time in three days, we can’t hear the beeping of Q’s monitors. I slip my hands in his back pockets and rest my cheek on his neck. As we spin, medical wires wrap around us like seaweed.
In “Stevie Versus the Negative Space” by Bonnie Chau at The Offing this week, a young woman tries to define herself through a familiar and flawed lens: her relationships with…