Reading Whitman While White
It is only by holding Whitman accountable for all of his language that we can also love other parts of his language and poetics.
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Join NOW!It is only by holding Whitman accountable for all of his language that we can also love other parts of his language and poetics.
...moreAn illustrated review of Laurie Woolever’s new book, BOURDAIN.
...moreThe richly historied form of the sonnet is a powerhouse for holding the past.
...moreThese writers expand the meaning of the word home by virtue of their lives and their writing.
...moreBarbara Berman reviews four books in her 2020 Holiday Poetry Shout-Out
...moreMeet our new poetry reviews editors!
...moreBarbara Berman reviews Every Day We Get More Illegal, Storage Unit for the Spirit House, and The Park.
...moreAgain, the red door stands open, allowing the world to enter.
...moreBiespiel offers a number of best practices—not just for writing poems, but for living a creative life.
...moreThis is stunning work—painful, embodied, and glorious.
...moreSwift’s shuffled lines create haunting, breathtaking possibilities.
...moreHer poems make felt observations sing, no matter the subject.
...moreHuman beings like to make myths out of things we don’t understand.
...moreTo call [AUTOBIOGRAPHY OF HORSE] unique is an understatement.
...moreWOMEN OF RESISTANCE recognizes this reality with fierce compassion, and a lot of really fine poetry.
...moreSaudade is often translated as longing, and as with most translations, what gets left out matters.
...moreExcept she isn’t windless and neither are we, thanks to her.
...moreThe poems of Ridiculous Light are wary of hope yet keep thrumming toward it.
...more[I]f you want maximum pleasure from this collection, then, you will want to listen closely.
...moreBarbara Berman reviews work by Dunya Mikhail, Thomas Merton, and Robert Lax.
...moreUndergirding all the truth about pain is the triumph that comes from having a heart like a window and a mouth like a cliff.
...moreIf there is distance in this collection, it originates with our own discomfort with its subject matter.
...moreThe child is born of them, yet is other to them; they work on behalf, and yet despite, and also against her.
...moreOver time, Strickland’s lines themselves grow wild, less uniform in their patterns of indentation. Like root structures deep in the ground, they branch in many directions.
...moreEvery act of reading is inseparable from what the reader has encountered before.
...moreFaizullah drills language for meaning.
...moreLimón’s ability to express her speaker’s connection to the earth, her desire to bring forth life in all its forms, is breathtaking.
...moreWhat happens when we play along with something not real—does it become real?
...moreReading Vine, Hummer, and Finkelstein, in an era in which people often feel almost flattened, we rise.
...moreThere is horror in how a memory can be altered or rendered “false” by exterior forces.
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