The Inner and Outer Self: A Conversation with Sylvia Brownrigg
Sylvia Brownrigg discusses Pages For Her and returning to its world of characters, the inner voices she heeds and those she silences, and who she imagines her readers to be.
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Posts Tagged: Richard Linklater
Lone Star Cinema
In clinging to a set of memories that fade more every day, maybe I’m also clinging to an idyllic version of my own past.
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The Saturday Rumpus Essay: Stepfatherhood
“He was my real dad,” she says. “I just happened to have two.”
...moreWeekend Rumpus Roundup
First, Grant Snider considers New Year’s resolutions in his inimitable way. Then, Barbara Berman draws a connection between two recent poetry collections—famous German playwright Bertold Brecht’s posthumous Love Poems and The Book of Scented Things: 100 Contemporary Poems About Perfume, edited by Jehanne Dubrow and Lindsay Lusby. Each poem in the latter makes sense of scents in a […]
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Being Like Him: Fathers, Daughters, and Sons in Boyhood
That scene at Antone’s plays out one of my biggest fears: that when women aren’t in the room, straight men shift their conversations.
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Swinging Modern Sounds #58: Crowdsourcing
Music-obsessive activity, in general, appears to be about music. You could, on the surface, mistake it for being about music. But in fact what it is about is memory and love.
...moreGrowing Up Coetzee
Richard Linklater’s Boyhood has received a lifetime’s worth of press, but over at the Los Angeles Review of Books, Wai Chee Dimock grasps its literary paralells; alternating between analysis and essay, Dimock considers the film alongside J.M. Coetzee’s novel of the same title. He also touches on Coetzee’s plotting, The Prisoner of Azkaban, and the emotional weight underlying […]
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The Rumpus Review of Boyhood
[Boyhood] focuses on the fact that we should be paying more attention to ourselves, right here, right now. It isn’t asking that you be heroic, but it does ask you to be brave enough to live your life, and elevates the everyday to a higher, more melodic plane.
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An Evening with Richard Linklater
Boyhood (2014), which was filmed over a 12-year period, may be the film that completes [Linklater’s] vision. It is without action, a plot, or any of the elements you’ve come to expect from a movie.
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