rick moody
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Sound & Vision: Michael Hearst
Allyson McCabe talks with Michael Hearst, a founding member of One Ring Zero, about how he got his start in music and writing, and what he’s been working on recently.
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Swinging Modern Sounds #85: The Introduction of the Pitch
It seems like it’s the point of this piece to draw attention to the fact that these instruments are wounded; it shouldn’t be something that tries to hide it.
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Swinging Modern Sounds #84: Music for Spaceships
Perhaps space is an inevitable resting place for music of this kind, because time is completely different when conceived of in the vastness of space, and not only because of relativity.
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Swinging Modern Sounds #83: On George
There really is not a day that doesn’t go by that I don’t stop at some moment and think about George Harrison.
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Swinging Modern Sounds #82: Joni Mitchell’s Court and Spark: A Symposium
…yet she did what she did, and in the process made the most successful album of her career.
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What to Read When You Need to Understand Corrupt Families
As we wait for the latest Trump crisis-slash-scandal to shake out, here is a list of great books about terrible families.
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Swinging Modern Sounds #81: On Cultural Preservation
The Lost Boys had their moment in the media, but these people, these survivors, not boys at all and not lost now either, are still here, living lives, growing and changing and thinking and reflecting.
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Swinging Modern Sounds #80: I Just Don’t Want to Wait Around Anymore
Mulcahy’s Possum is, like the animal titularly referred to, a sly and imaginative affair…
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Swinging Modern Sounds #79: The Rhythm Section Speaks
Maybe there is something important about rock and roll now, rock and roll the neglected past tense of a musical form, and that is that it is the music of adults.
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Swinging Modern Sounds #78: Conceived as a Playlist
Shadowbahn […] is among the most unusual, and most extreme, in a literary career that has often been marked by its unpredictability.
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Swinging Modern Sounds #77: People Give Me Things, Part One
[T]he thing about receiving music from other people is this: there is always some grace associated with the transaction.
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The Rumpus Interview with Abraham Burickson
Rick Moody talks with Abraham Burickson, Artistic Director of Odyssey Works, a San Francisco-based theater company whose works are designed for an audience of one.