Rumpus Reviews
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I Know My Brother In the Mirror
Michael Klein’s then, we were still living is a thoughtful, emotional book that treats death in a fresh, even endearing way.
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Things That Work Are Muffled and Mute
Through rigorous consideration, with patient generosity, Valerio Magrelli’s poetry allows all his subjects—broken machines, utterances, each of us—to be our own streets, and in such a transfixing world, a circle closes around Kant: things can be both means to an…
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10 Mississippi
This book is seductive because, page by page, poem by poem, 10 Mississippi is cyclic and aswirl, is… as flowing and eddying as the river of the title.
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A Dialogue at the Core of Her Being
Ai successfully blends personal autobiographical poems with her trademark dramatic monologues, making for a truly original text—a kind of personified hybridity—that is both haunting and humorous.
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Pastries, Cowboy Music / That Kind of Shit
Reading, and re-reading these poems, you’ll find lines which are so outrageous, hilarious, and true that they get lodged in your head, like songs; and, you’ll find yourself quoting the poems to others, because they seem so apt in their…
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Maggot
Watching Paul Muldoon’s sentences course across the forms he has set for himself is like watching an elite athlete being put through his paces.
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What We Hack Up We Can Choke Down
It is Zweig’s essential Vermont-y-ness that makes her indispensable. The charm and beauty of those green mountains and isolation and mud seasons of that terrain is applied thickly in these poems.
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Holding Company
In Holding Company, his third collection of poems, Major Jackson achieves the difficult feat of writing a book that feels simultaneously both intensely personal and yet also archetypally American.
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When I Go Outdoors, Light Splits
The poems in This Noisy Egg are always engaging and hold the reader’s attention, but they do not feel un-tethered or dangerous. Reading them, I had the sensation that there was little room for what Stanley Kunitz called “wilderness,” the…
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Body Odor Can Be a Room
In individual poems, small series of interconnected poems, and in the book as object, Mairéad Byrne has made in The Best Of (What’s Left Of) Heaven a map that covers every kind of topographical feature.